This week we revealed the cover for the sequel to The Mystery of the Clockwork Sparrow and The Mystery of the Jewelled Moth! Say hello to The Mystery of the Painted Dragon!
As you might guess from the title (and the graphic above) the third book in the series takes Sophie, Lil and the rest of the gang into the Edwardian art world. The story centres around a priceless painting that has been stolen in such baffling circumstances that even our young sleuths don’t know what to make of it.
Can Sophie and Lil find the missing painting, unmask the villain, and prove themselves detectives to be reckoned with? You’ll have to wait until February 2017 to find out…
For now, let’s take a closer look at the incredibly gorgeous cover art, created by amazing illustrator Karl James Mountford.
Karl worked closely with Benjamin Hughes, Art Director at Egmont, to create this stunning cover, which features beautiful shiny copper foil. I think it’s going to look so lovely on the shelf next to Clockwork Sparrow and Jewelled Moth.
I’ve also been lucky enought to have an early peek at some of the interior illustrations that Karl is creating for this book, which are so special. I can’t wait to be able to share the finished book!
Visit Karl’s website to see even more of his amazing artwork and find him on Twitter.
UPDATED: You can now pre-order The Mystery of the Painted Dragon from:Waterstones | The Hive | Amazon.
Add The Mystery of the Painted Dragon on Goodreads.
One of our earlier Down the Rabbit Hole episodes, broadcast this time last year, was dedicated to celebrating the CILIP Kate Greenaway Medal. The Greenaway is (together with its partner, the CILIP Carnegie Medal) one of the oldest and most prestigious prizes for children’s books. It’s named after the 19th century artist and illustrator Kate Greenaway. and is awarded for distinguished illustration in a book for children.
We absolutely love talking about children’s book illustration on DTRH. One of the things that most surprised me when we started the show – and continues to surprise me now – is how joyful it is to talk about illustration on the radio. It’s always wonderful to hear illustrators talk in glorious, unrestrained detail about page spreads, colours, techniques. We all get excited, talking about layout and typography and production. The radio mics pick up the sounds of fingers eagerly flicking pages and lovingly smoothing the texture of the paper.
I suspect that one of the reasons it still feels so exciting to talk about illustration on the radio on DTRH is simply that we hear these kinds of detailed discussions of illustrators’ work so rarely in the mainstream media. Sarah McIntyre’s #PicturesMeanBusiness campaign has recently been doing sterling work to raise the profile of illustrators and ensure they get properly credited for their work. I like to think that on DTRH, in our own small way, we’re doing our bit to help by providing a space in which illustrators can talk about illustration as an artform, where we can acknowledge artists’ amazing work and the important role illustration plays in children’s books, as well as (hopefully!) bringing children’s book illustration to a wider audience.
Given all this, it felt particularly appropriate that June’s DTRH was our second Greenaway special. We were joined by two fantastic picture book creators for the show – Steve Antony, whose books include Please Mr Panda and The Queen’s Hat, and Helen Hancocks, creator of Penguin in Peril and William and the Missing Masterpiece (the second book about cat detective William, William Heads to Hollywood, is published today) – to talk about this year’s Greenaway shortlisted books.
In particular, we discussed this year’s winner – the stunning Shackleton’s Journey by William Grill, pictured above. The show also featured an interview with William, plus comments from some of the children who took part in this year’s Carnegie Greenaway Shadowing scheme about what they thought of the books on the shortlist. You can listen here:
Down The Rabbit Hole – 30th June 2015 by Resonance Fm on Mixcloud
Find out more about all the books we discussed and the Kate Greenaway Medal on our website. More from DTRH next month!
Last week I headed to the Bologna Children’s Book Fair for a very special gathering of Children’s Laureates from around the globe.
The UK Children’s Laureate was the first such post anywhere in the world, but since it began in 1999, many other countries have set up similar positions, whether they are called a ‘Children’s Laureate’ or a ‘Reading Ambassador’.
Following a meeting of the Swedish, Irish and Australian Laureates in Bologna two years ago, it was decided to bring as many of the Laureates from around the world together for an ‘international Laureate summit’ at the Bologna Book Fair in 2015 – so I was off to the Fair with Children’s Laureate Malorie Blackman!
It was my first visit to Bologna, and I was excited to see what the Fair is like. The event is very much aimed at children’s publishing professionals: it’s a place where authors, illustrators, literary agents, licensors, packagers, distributors, printers and booksellers all come together to buy and sell rights to children’s books and properties, learn about new developments and trends, network and find new business opportunities.
Here’s my Bologna Book Fair diary from the trip:
Day 1: Sunday
My flight out was at an ungodly hour on Sunday morning: on arrival, I had time for a very a quick look at the beautiful historic centre (and to say hello to Malorie who was staying near the Piazza Maggiore) before checking into my hotel near the Fair.
Even though the Fair didn’t officially open until the next day, we had our first Laureate event that afternoon. After a bit of a confusing time trying to navigate the site, where set-up was underway, I found my way to the room where our event was taking place, where Malorie and several of the other Laureates from Australia, Ireland, Finland and Sweden had already gathered, along with their teams.
The first event was a private meeting, designed to give everyone the chance to get to know each other. Julia Eccleshare, children’s books editor for the Guardian and stalwart of the UK Children’s Laureate Steering Group, facilitated a roundtable discussion in which each Laureate had the chance to introduce themselves, and to talk about their work. The group also discussed their aims for the summit and what we all hoped to get out of the next few days.
Laureates hard at work!
That evening I attended my first Bologna party, given by Penguin Random House USA, where I also drank my first glass of Prosecco for the trip – a Bologna essential!
Next up was dinner with the Children’s Laureates and their teams – it was great to have the chance to talk to people who do similar work in organisations from all around the world. While we were there, the two Welsh Laureates arrived to join us – Anierin Caradog who is the Bardd Plant Cymru, and Martin Daws, who is the Welsh Young People’s Laureate. After much pasta (seriously, more pasta than I would ever have thought possible to consume in a single sitting) we all headed back to our hotels for a much needed rest ahead of Day 2!
Day 2: Monday
To the Book Fair! I headed for the main entrance, where the first thing that caught my eye was this amazing Alice in Wonderland carpet.
Our next Laureate session was an invite-only event aimed at organisations from other countries that were interested in learning more about the Children’s Laureate initiatives, and in gaining useful information that might even help them set up a Laureate programme of their own. Representatives from countries including Italy and New Zealand, attended to hear more about the Children’s Laureate, including how the schemes work on a more practical level. Building on the discussions the previous day, the Laureates also had chance to talk in depth about what they wanted to get out of the summit, and possible ways to work together in future.
After the event, Malorie and I spent some time exploring the Book Fair. There was so much to see: we visited some publisher stands including the Barrington Stoke stand where Malorie received a rousing welcome and we embarrassed her by making her pose by her name for this picture.
Next it was on to the very large and impressive Penguin Random House stand where Malorie was introduced to author Sophie Kinsella, whose first young adult book Finding Audrey is published this year, as well as fitting in a quick photo and interview for Publishers Weekly.
There was plenty more time for exploring in the afternoon. I visited colleagues from Ireland on the Children’s Books Ireland stand, and from Australia on the Australian Children’s Literature Alliance stand where Australian Laureate Jackie French was chatting to visitors, and Ann James was demonstrating the mud painting techniques she used in her book I’m a Dirty Dinosaur. Justine from ACLA showed me a lovely animated version of the same book, with Ann reading aloud: this is part of the StoryBox Library project, which is designed to allow Australian children the chance to hear stories told in Australian voices.
There were so many publisher stands to browse. As well as all the familiar English language publishers, there was also a host of international stands to explore from publishers I was completely unfamiliar with. It was a great way to get a snapshot of the global publishing industry, and I enjoyed taking in everything from unusual European illustrations, to beautiful papercraft from Asia – not to mention spotting characters such as Miffy, Peppa Pig and Pikachu wandering around.
Obviously it was also essential to stop for a brief gelato break in the sunshine!
Most of all, I enjoyed looking at the incredible illustration exhibitions including an exhibition of work by illustrators from this year’s Guest country, Croatia; a display of ‘silent books’ (wordless picture books); and of course, the famous Bologna Illustrators Exhibition which displays the best new illustration work from around the world. I could have spent hours looking at all the lovely work on display, and it was only the fact that my suitcase was already full to bursting that stopped me immediately buying a copy of the exhibition catalogue to take back home!
I also loved looking at the Illustrators’ Walls – Bologna’s unofficial exhibition spaces. Lots of illustrators come to Bologna each year, from established children’s illustrators to students and aspiring illustrators, and many of them add their leaflets, posters and postcards to the Illustrators’ Wall, which gradually becomes more and more crowded with work, forming a sort of ever-evolving collage.
After an afternoon of enjoyable exploring, I met my Down the Rabbit Hole co-host Melissa and her colleague Florentyna at the Macmillan Children’s Book stand, where they were celebrating two new books from Meg Cabot. We hopped on the free bus into Bologna town centre, where Melissa took Florentyna and I on a tour of some of Bologna’s bookshops, including a fabulous children’s bookshop in a converted church, and the wonderful Ambasciatori librerie.coop – part bookshop, part trattoria, where books were sold alongside wine and all sorts of delicious food – basically, the perfect combination!
Our next stop was a reception being held by Scholastic at the Palazzo Re Enzo – a glorious old building on the Piazza Nettuno, where the guests were entertained by a fantastic speech about reading for pleasure from Captain Underpants creator Dav Pilkey. We went on to join some of the Scholastic team for a special dinner for Axel Scheffler, and after many courses (including even more pasta) we headed to the Swine Bar for what else but a glass of Prosecco to round off an excellent day.
Day 3: Tuesday
After breakfast in the hotel, I headed back to the Fair to catch up with the lovely Kristen Harrison from Curved House Kids.
We took in a couple of events from the Fair’s seminar programme: first up, a session about children’s books in translation, followed by a presentation of a new cultural app for kids, Art Stories, at the Digital Cafe. After a quick panino in the sunny courtyard, it was on to the announcement of the prestigious Astrid Lindgren Award. This year the Award was given to South African reading organisation PRAESA and it was fascinating to hear about some of their work.
In the afternoon it was time for our third and final Laureate event – a public session bringing together all of the Laureates at the Authors Cafe. We were joined for this session by the newly-arrived Mexican and Dutch laureates, giving us a grand total of 10 Laureates in all! The event, which was once again chaired by Julia Eccleshare, was a fantastic celebration of reading promotion around the world, including a Welsh song from Anierin, and a spot of performance (with audience participation) from Martin. Afterwards it was time for the all-important group photo.
After the event, Children’s Books Ireland held a reception on their stand. I head back into town to join Egmont’s party at Le Staze. It was great to meet some of the Egmont team before heading to join Malorie at a dinner for Frank Cottrell Boyce, given by Macmillan Children’s Books to celebrate his new book The Astounding Broccoli Boy.
Day 4: Wednesday
After packing up and checking out of the hotel, there was just enough time for a final visit to the Fair. I wanted to spend some more time looking at the exhibitions, but also to visit the amazing Fair Bookshop. I could easily have spent a fortune in there, especially on the heart-stoppingly beautiful array of picture books from all around the world!
I said goodbye to some of my Laureate colleagues and had the chance to chat about the next steps for our international work: we’re all excited to continue the conversations that started in our meetings, and to reconvene in Bologna again in two years’ time for our next ‘summit’. I also popped along to the Egmont stand where I spotted a proof of The Mystery of the Clockwork Sparrow! And last of all there was time to squeeze in a final gelato before heading to the airport.
Arreverdeci Bologna – you were marvellous! I hope I’ll be back again next year.
This interview was first published on the Book Trust website http://www.booktrust.org.uk
Levi Pinfold’s Black Dog is the winner of the 2013 CILIP Kate Greenaway Medal. I spoke to Levi about how it feels to win this prestigious prize.
‘I’m feeling great!’ Even though we’re only talking on the phone, it’s impossible to miss the fact that Levi Pinfold has a beaming smile on his face. He’s been named the 2013 winner of the CILIP Kate Greenaway Medal, which recognises excellence in illustration, for his second picture book Black Dog, joining a list of winning illustrators that include Sir Quentin Blake, John Burningham, Helen Oxenbury, Shirley Hughes and Anthony Browne, to name but a few.
‘It’s a real honour,’ Pinfold tells me. ‘It’s a hugely personal thing for me. I worked for a very long year on Black Dog and it was very hard work – but very rewarding. It’s just amazing for someone to tell me that it’s good. It’s a real honour to be listed alongside all those fantastic illustrators… it’s really quite humbling.’
Pinfold takes a characteristically modest attitude to his book, which the judges identified as a ‘true modern classic’ that ‘will be read and enjoyed by generations to come.’ ‘I usually tend to downplay my work a little bit,’ he confesses. ‘I’ve looked at it for so long, but I hope maybe the judges could see the commitment that I put into it, and how hard I think about things…. You do put a lot of your personal feelings into books – subconsciously, it just trickles in there.’
Black Dog, which Pinfold wrote and illustrated, is story of a little girl called Small Hope who faces fear head-on in the form of a monstrous giant black dog – but she soon realises that it isn’t quite as frightening as everyone else seems to think. Pinfold explains: ‘I wanted to write a ghost story: a spooky story for kids, with a gothic element. I was sitting in the library, reading a book about the spectral hounds of England, and I found this legend of the black dog, which is a recurrent myth in different counties of England, although in different areas it’s called different things. Usually it was this horrible thing that appears on the moors, and if you see it, something terrible will happen to you. Then I discovered one in Somerset that’s just called the “Gurt Dog” and the description was “he is a nice dog”. I thought that was quite a funny idea, and then I thought “what if he’s just been misunderstood in these other places? Maybe he’s just a lonely dog, wandering around.”’ His next book will also put a new spin on traditional legends. ‘I’m working on a book which should be out next year, which is about vegetables! It sounds very simple, but it’s actually about the Green Man myth, putting a little twist on the legend, and using those symbols in a new way.’
It is Pinfold’s distinctive illustrations which really set Black Dog apart – the Greenaway judges described as a ‘visual treat, full of mood and atmosphere’. Talking about his approach to illustration, he explains: ‘I take a long-term view of illustration and painting. I like to look at very old stuff as well as the most contemporary work. I’m hugely influenced by people like Brueghel as well as people like Shaun Tan and Anthony Browne – I have a very wide sphere of influence’. Thinking about why his style differs from that of many other contemporary picture book creators, he ponders: ‘I think perhaps the other thing is that I spend a lot of time locked up painting, so I don’t spend a lot of time going out and meeting other illustrators, so I don’t tend to get influenced by them. I just love painting and I love children’s books.’
Creating the beautiful, richly-detailed spreads in his picture books is something of a labour of love for Pinfold. ‘My process of creating illustrations is quite lengthy,’ he explains. ‘As for a lot of illustrators, it tends to begin in sketch form, then you produce a fairly detailed rough for your publisher. After that, what I do is I paint the illustration by hand. In Black Dog I used tempera – a kind of old-fashioned paint where you mix egg yolk with pigment. You layer up your painting over weeks. I don’t get bored… when I’m painting, when I’m exploring that world that I’m creating, that’s the moment when I think “this is what I’m meant to be doing”. I’m looking through the piece of paper, looking into it, and that’s what I enjoy.’ Thinking about this for a moment, he adds: ‘It’s a nightmare for my publisher, I imagine – I’m busy “exploring the interior space” and they just want a book!’
Pinfold is not a newcomer to winning accolades for his work: Black Dog has already been awarded the Children’s Book Award in the AOI Illustration Awards 2013. His first picture book The Django won a Booktrust Early Years Award for Best Emerging Illustrator in 2010 and in the following year he was selected as one of ten Booktrust Best New Illustrators. ‘It can be tremendously difficult when you’re starting out as an illustrator and trying to make a mark, and it really helped with awareness of my work, and the relationship with my publisher,’ he reflects. ‘Plus I got to meet the other illustrators – it’s great to see them doing stuff now. Winning those two awards was incredible for me. It’s been a wild ride ever since.’
Pinfold is using his Kate Greenaway Medal win as an opportunity to celebrate libraries and librarians across the country. ‘I’m honoured that my work has been recognised by CILIP on behalf of librarians, for whom I have nothing but respect. I am always amazed at the passion for reading, looking and understanding that libraries inspire in everyone. The availability of a whole universe of knowledge and inspiration in one place is something highly underrated, as is the importance of encouraging minds, young and old, on the pathway to discovery. I think we all have a lot to learn from libraries.’