Archive of ‘children’s books’ category
One of the funny thing about being a writer is that after a lot of time sitting by yourself working on a book, once it finally makes its way out into the world, it’s time to do the exact opposite. That means putting on clothes that aren’t pyjamas or very old tracksuit bottoms, and doing challenging things like leaving the house and speaking to other people. Specifically it means heading out on the road for lots of events, meeting readers at schools, in bookshops and at festivals – and that’s exactly what I’ve been doing over the last month or so, since The Painted Dragon hit bookshelves in February…
It all began with a special mystery-themed half-term event at Waterstones Piccadilly. Officer Stephen welcomed us all and announced that Lord Waterstones’s valuable painting had been mysteriously stolen from the store – and there were a number of sinister suspects who could be responsible for the theft. Luckily some young detectives were on the case, and got to work finding clues around the shop, cracking codes and assessing the evidence to discover ‘whodunnit’! I was there to help with the mystery-solving – as well as reading from The Painted Dragon and signing some books, of course.
Officer Stephen and detectives
Next up was an author event at the LSE Literary Festival. I was so pleased to meet such a crowd of readers (the room was packed) who had the chance to put their own detective skills to the test, as well as to dress up in my array of Edwardian hats.
On World Book Day, we headed to Waterstones Kensington for our first ever Down the Rabbit Hole Live event! We were joined by three amazing children’s authors – Abi Elphinstone, Cathryn Constable and Piers Torday – to discuss writing and the power of the imagination. We even had a go at crowd-sourcing a story with the help of the children in the audience. You can listen to some of the audio from the event on the DTRH website here (and check out some news on another forthcoming DTRH Live coming up at the Hay Festival in May).
At Waterstones Kensington
Next it was time to visit some schools! I kicked things off with a visit to South Hampstead Junior School, to help them celebrate World Book Day – and then it was time to hit the road for the official Painted Dragon schools tour.
At King Edward VI Handsworth School – photo by Annie Everall
Lovely Annie Everall from Authors Aloud had organised the tour, which began in Birmingham with a visit to King Edward VI Handsworth school. From then we went on to Wolverhampton Grammar School and Sibford School, followed by a book-signing at Blackwell’s Oxford – plus a wonderful tour of the rare books collection. I especially enjoyed peeping in at the ‘Gaffer’s Room’ .
More tour photos by Annie Everall
Next were Eltham School, Prendergast Ladywell School, Bute House and Beaconsfield High School. It was a crazy, jam-packed week but it’s always fun to visit schools and meet lots of pupils, teachers and school librarians – Annie and I had a great time.
Back in London, I teamed up with Mystery Girl extraordinaire Robin Stevens for a special event at the Daunt Books Festival – complete with cupcakes! I loved chatting to Robin about her fabulous Murder Most Unladylike series and meeting many mystery fans after the event.
Robin and I in wonderful Daunt Books
Robin and I were back together very soon afterwards for the Mountains to Sea Festival in Dun Laoghaire, Dublin. This time we were joined by a gang of brilliant children’s authors – Jo Cotterill, Dave Rudden and Jonathan Stroud – for two really fun panel events chaired by Little Island Press’s Grainne Clear. I love doing panel events: it’s always so fascinating to hear other writers talk about their books, what inspires them, and how they write. Highlights of these events included debating what superpowers we’d each choose, and seeing how many pens we could put in Dave’s beard (spoiler: it was loads). Off-stage, we had fun hanging out with festival programmer Sarah Webb and the other visiting authors who were in town at the same time, including Eoin Colfer and Chris Riddell. I especially loved exploring Dun Laoghaire and its fabulous library.
A few highlights from Mountains to Sea
Before heading home, I whizzed over to Salford for a visit to The Lowry for the Salford Children’s Book Awards! I was so delighted to be shortlisted for the 2017 prize, and to have the chance to meet and chat to lots of Sinclair’s Mysteries fans from Salford schools at the event.
Now that Painted Dragon is well and truly launched, it’s back to my writing desk (and tracksuit bottoms) for a little while – well, until the next round of events, anyway!
I’m so excited to be able to share the news that I’ve been selected as one of the Aarhus 39!
At the London Book Fair last week, the Hay Festival announced that 39 children’s and YA writers from around Europe aged 40 and under have been chosen to take part in this amazing new project for European Capital of Culture Aarhus 2017 – and I’m delighted to be one of them.
The other UK authors on the list include the brilliant Katherine Rundell, Laura Dockrill and BR Collins, as well as multi-award-winning superstar Sarah Crossan, representing the UK and Ireland. There are lots more amazing writers included too from all around Europe – some whose work I’m already familiar with, like Maria Turschaninoff who wrote the amazing Maresi, but lots who I am excited to discover. I’m tremendously grateful to the judges for selecting me to be part of such an inspiring list!
As part of the project, we’ve each been commissioned to write an original story on the theme of ‘Journey’. Two anthologies of the stories, edited by Daniel Hahn, will be published later this year, both in English (by Alma Books) and in Danish by Gyldendal. The two English language anthologies – Quest (aimed at children age 8+) and Odyssey (for young adults) – will be launched in May at the Hay Festival.
The anthologies will also feature drawings from some of the world’s leading illustrators, including Barroux, Britta Teckentrup, Dave McKean, Satoshi Kitamura, Axel Scheffler, Benji Davies, Chris Riddell and many more. I’m thrilled that my own story has been illustrated by the amazing Joel Stewart – his illustrations are absolutely magical.In October we’ll all be off to Denmark for the inaugral International Children’s Literature Festival in Aarhus – and I can’t wait! I’m especially pleased to be part of this project at a time when it feels more important than ever to be building positive relationships across Europe, and I’m really looking forward to the chance to learn more about children’s books across the continent. Many thanks to Hay Festival and Aarhus!
I wrote the original version of this post when The Jewelled Moth was first published, for the fab YA Yeah Yeah’s ‘Classics’ series. Since a few people have asked recently about the relationship between The Jewelled Moth and The Moonstone, I thought I’d put a few thoughts here too!
The Moonstone by Wilkie Collins, published in 1868, is often considered to be the first real detective novel written in English. It’s a captivating read – the story of a mysterious (perhaps cursed) diamond stolen from an English country house in strange circumstances. Crime writer Dorothy Sayers called it ‘probably the finest detective story ever written’ and TS Eliot went as far as to say that the detective genre was ‘invented’ by Wilkie Collins. It’s inspired many crime writers including PD James, and it features a lot of the elements that we expect from a classic detective tale – from the English country house setting, to its world-weary detective Sergeant Cuff, to its exciting, twisty plot.
However, whilst it might be a thrilling read, The Moonstone is also very much a product of its times. At the very start of the story, against the backdrop of the Sepoy Rebellion of 1857, a British soldier steals a priceless diamond – the Moonstone – from an Indian temple. A few years later, he leaves the diamond to his niece, Miss Rachel Verinder as a gift for her eighteenth birthday. But as soon as the Moonstone arrives at her country home, Rachel, her family, and their guests all become aware of the threatening presence of a group of Indians on the trail of their long-lost jewel, who (we are told) will stop at nothing to get their sacred diamond back.
Over the course of the story, the diamond is stolen; a famous detective is called in to solve the case and return Miss Verinder’s diamond; and a whole cast of characters find themselves drawn into the mystery. Yet no one ever seems to point out the obvious: that the British soldier was the original thief, and it is in fact the Indians and not Miss Verinder who are the true owners of the Moonstone.
One of the things I love about The Moonstone is that it’s told in a range of different voices – from that of the Verinder’s old and trusted servant, Gabriel Betteredge, to evangelical busybody Miss Clack. However, the Indian characters are never allowed to relate their versions of events: they appear only through the narratives of the white British characters who encounter them. They have no names, they never speak for themselves, and we know little about them – we are only told they are mystical and exotic, as well as potentially sinister and dangerous. Spoiler alert (highlight to read!): although the Indians do eventually reclaim their diamond, and return it home for a contemporary reader, the imperialistic overtones of the story are impossible to miss.
With The Jewelled Moth, I wanted to have a go at writing my own tribute to The Moonstone – putting a different spin on this classic story. But as well as having fun writing about my own mysterious cursed jewel, I wanted to explore what the story might be like if it was told from a different point of view. How would it feel to have your most important and valuable possession stolen from you – and what might happen if you had the opportunity to try and get it back?
That’s exactly the position of Mei Lim in The Jewelled Moth. Mei has grown up in her family grocer’s shop in London’s Edwardian Chinatown, hearing her Chinese grandfather’s old tales of the Moonbeam Diamond – a precious gem that was once the pride of the temple in the village in China where he grew up. The diamond brought the Lim family prosperity and luck, until it was stolen by a visitor to their village – a treacherous British gentleman. Years later, her family believe the diamond is long gone, but when Mei spots a picture of an elegant young society girl wearing it in a London newspaper, she knows she must seize this chance to try and return it to its rightful home.
Even though it’s a very different story, which explores some very different elements of history, I had a lot of fun paying tribute to The Moonstone in The Jewelled Moth. If you’re a fan of classic detective fiction, you might spot one or two of those references and hints (and for those who have asked whether new store manager Mr Betteredge is named after Gabriel Betteredge – he absolutely is!) I’ve joked that the book could be described as ‘The Moonstone for kids’ but as well as being an exciting detective tale that I hope will keep readers turning the pages, it’s also an attempt to tell a different kind of detective story – and to hear from some of the voices that are so often missing from Victorian and Edwardian literature.
Read more about The Jewelled Moth and the historical inspirations for the book.
Mysterious gentlemen’s club Wyvern House is the scene of some exciting goings-on in The Painted Dragon. Whilst Wyvern House itself is totally fictional, during the Edwardian era, gentlemen’s clubs like it were an important part of London life.
Most well-off gentlemen would belong to at least one – or possibly several – of these exclusive establishments. Gentlemen’s clubs had become popular in the 19th century, and by 1909, when the Sinclair’s Mysteries are set, there were around 200 of them in London. Most were situated in the St James St/Pall Mall area of the West End, which was known as ‘Clubland’ – see above. (In The Painted Dragon I’ve departed from tradition by instead positioning Wyvern House in the City of London, close to the Bank of England; however, Mr Pendleton’s club which also makes a brief appearance towards the end of the book, is situated in the heart of Clubland.)
Each club was usually aimed at a specific group of gentlemen, who might share a political affiliation, a profession, or a particular interest. Some were military clubs, others for those who had studied at a particular university, whilst some were purely social clubs. Some of the most famous Edwardian clubs included The Athenaeum (founded in 1824, ‘for men of science, literature and art’), The Reform (founded in 1836, for those who supported the Reform Bill), Brook’s (for Liberals) and the Marlborough (formed by Edward VII when he was Prince of Wales). There was even the Travellers’ Club, founded in 1819 for men who had travelled a minimum of 500 miles outside the British Isles.
The oldest and arguably most exclusive club was White’s, founded in 1693. It began life as a hot chocolate emporium, but later became a gentleman’s club, and by the 18th century, it had gained a reputation for gambling. The club kept an infamous ‘betting book’ recording its members’ personal bets on everything from political events to marriages. One of the most famous bets it recorded was Lord Alvanley’s 1816 bet of £3,000 that a particular raindrop would chase its way down the club’s famous bow window, before another! It’s even rumoured that a man once collapsed outside the club’s front doors, and bets were immediately placed on his chances of survival. (White’s, like several of the most famous Edwardian gentlemen’s clubs is still in existence today – and its current members include Prince Charles and Prince William.)
Each of the clubs had different rules and regulations, and different atmospheres. Some were serious and silent, whilst others were much more raucous, and the scene of gossip and scandal. Either way, wealthy gentlemen would usually spend a lot of their time at their club, eating, drinking, playing cards or billiards, and relaxing with their fellow members. Many clubs even had bedrooms which the members could use, and some gentlemen might live at their club for weeks at a time!
Just like in The Painted Dragon, women were not permitted to enter these Edwardian gentlemen’s clubs, which were very much masculine spaces.However, by the late 1890s, a small number of clubs, including the Abermarle, did admit both ladies and gentlemen. What’s more, some clubs for women were beginning to spring up. The first was the Somerville Club, founded in 1879, for graduates of the college; whilst the high society Alexandra Club (1884) required its members to attend Court Drawing Rooms. The Victoria, established in 1894, was ultra-exclusive and provided dining rooms, reading rooms, drawing rooms, and bed chambers for its members, accommodating ladies for up to a fortnight at a time. By 1899 there were nearly 25 clubs in London catering specifically for women. I wonder if Sophie and Lil might even have become members of one of them?
The wonderful map of Clubland at the top of this post is by artist Adam Dant and is actually a silk pocket square designed for Drakes Of London! Find out more information here on the website Spitalfields Life.
Check out my other ‘Behind the Scenes’ posts exploring the historical background of the Sinclair’s Mysteries
Illustration by Karl James Mountford, from The Painted Dragon
The third book in the Sinclair’s Mysteries series, The Painted Dragon, takes us into a new area of Edwardian London. In this story, we are plunged into the city’s art world – meeting art students, celebrated painters and art collectors – and going behind the scenes at exhibitions, auctions and museums, as well as art school the Spencer Institute.
Whilst the Spencer Institute is fictional, it was partly inspired by a real-life art school, the Slade, which still exists in London today. Forming part of University College London, the Slade was founded by lawyer and philanthropist Felix Slade in the 1860s. In the late 19th and early 20th century, an incredible number of famous artists studied there – including Augustus and Gwen John, Percy Wyndham Lewis, and (a little later, at around the time The Painted Dragon is set) the likes of Dora Carrington, Mark Gertler, Richard Nevinson, Paul Nash and Stanley Spencer.
This group of young artists – together with their wider circle of writers and intellectuals – were something like the Young British Artists of their day. They enthusiastically embraced exciting new artistic movements such as Futurism and Vorticism and they led unconventional Bohemian lifestyles. They enjoyed wearing wild and unusual clothes – like Dora Carrington, who was one of the ‘Slade Cropheads’, a group of female students who dramatically rejected ideas of Edwardian beauty by cutting off their long-hair into short boyish bobs.
In all these ways, the art students rebelled against the conservative, traditional old-fashioned culture of the Edwardian era – and opened the door to the exciting new possibilities of modernism, taking their inspiration from the avant-garde artists of Paris and Vienna.
Dora Carrington and some of her fellow ‘Slade Cropheads’
In The Painted Dragon we see this world thorough the eyes of aspiring artists Leo and Jack, as they start their first term at the Spencer Institute. Like Leo, Jack and their friends at the Spencer, the real-life students at the Slade in the 1900s would begin their studies by spending lots of time in the Antiques Room, drawing from copies of plaster casts of Greek, Roman and Renaissance sculpture. Here, they would be carefully watched over by the strict Professor Henry Tonks – a rather terrifying figure, who was both respected and feared by his students! He was famous for his stinging criticisms, which sometimes made students weep – and rarely praised anyone. (Professor Jarvis, the stern drawing teacher who appears in The Painted Dragon, certainly owes a little something the real-life Professor Tonks.)
An Edwardian drawing class
Only when Professor Tonks considered them good enough were the art students allowed to graduate to the Life Class, where they would draw real models. Male and female students had separate life classes, for reasons of decorum! But in general, the art school was a place where the strict rules of Edwardian society were relaxed. Students came from many different backgrounds: the Slade welcomed both students like Mark Gertler, a talented sixteen-year old from the slums of East London; and well-off young people, such as Richard Nevinson, who came from a middle-class background and had previously attended an expensive public school. Outside classes, the students enjoyed socialising at bohemian cafes and restaurants like the famous Café Royal – which also makes an appearance in The Painted Dragon.
The Cafe Royal in 1901
These young artists were dedicated to their work, producing everything from portraits and still-lifes to landscape paintings. They played an important role in influencing – and unsettling – the art and culture of their time. But in 1914, the outbreak of war changed everything. The First World War, in which so many of them fought and died, had a shattering affect upon this young artistic community. Today, it’s sobering to reflect on what they might have been able to achieve under different circumstances: as Randolph Schwabe wrote: ‘Much talent and some genius was born into their generation, and their loss… is deplorable in its tale of waste and unfulfilment.’
If you’d like to read more about the Slade and these young artists, I’d highly recommend A Crisis of Brilliance: Five Young Artists and the Great War by David Boyd Haycock. Among the Bohemians: Experiments in Living 1900 – 1939 by Virginia Nicholson also provides a fascinating insight into artistic and bohemian life in the early 20th century, including the importance of places such as the Café Royal.
For fiction, Pat Barker’s Life Class trilogy of (adult) novels are partly set at the Slade and focus on a group of young artists. I’d also highly recommend Ruth Elwin Harris’s YA novels The Quantock Quartet (now sadly out of print) about the artistic Purcell sisters – in particular Frances’s Story which follows ambitious older sister Frances to London to study at the Slade.
Today, you can see paintings by some of the artists who studied at the Slade at Tate Modern. For more of an idea of what the Edwardian art world would have been like, I’d also recommend visiting the grand Royal Academy (the heart of the Edwardian art establishement – the opening of the famous Royal Academy show each year was a highlight of the London Season) and the Wallace Collection, a beautiful gallery which includes lots of the kinds of paintings that might be found in Mr Lyle’s art collection – including ‘The Swing’ by Jean-Honoré Fragonard, which Lil helps bring to life in The Painted Dragon. You can also still visit the Café Royal on Regent Street, though today it looks very different to the bohemian cafe of the 1900s!
The pictures in this post all come via my trusty Edwardiana Pinterest board (click the image for the source) where you can also find lots more pictures of the Edwardian era.
Check out my other ‘Behind the Scenes’ posts exploring the historical background of the Sinclair’s Mysteries