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World Book Day is just around the corner – and if you’re looking for a book-themed fancy dress outfit, why not dress as Sophie, Lil or one of the characters from the Sinclair’s Mysteries?
I’ve seen some amazing Sinclair’s costumes over the last few years – if you fancy having a go at creating one yourself, try out one of these quick and easy ideas, using things you’ll probably already have in your wardrobe (or maybe your dressing-up box!)
As she approached, her heart began to thump, and she put up a hand to check that her hat, with its blue ribbon bow, was at exactly the right angle, and that her hair was not coming down.
To dress as Sophie, wear a long, dark-coloured skirt; a blouse with a lace collar; and a straw hat with a ribbon round it. Sophie usually wears her hair pinned up. You could maybe add a green bead necklace like the one Sophie often wears – or perhaps a magnifying glass for spotting clues!
She was wearing a hat wreathed in poppies and she had a crimson scarf at her neck.
Lil might wear glamorous clothes when she’s performing in the theatre, but for normal life, she’d wear an outfit very similar to Sophie’s. Lil usually wears her long hair down. She also loves bright colours, so you might want to add a colourful scarf, or put some brightly-coloured flowers around her hat.
He was wearing the Sinclair’s porters’ uniform – trim, dark blue trousers, a matching jacket with a double row of brass buttons and a peaked hat – but the jacket looked a bit too big for him, the trousers a bit short, and the hat was askew…
Create your own version of Billy’s Sinclair’s department store uniform with a dark-coloured jacket and trousers, plus maybe a cap. As a shop porter, Billy will need some brown-paper parcels or boxes to carry – and of course, a notebook and pencil for making a note of any mysterious goings-on!
Working in the Sinclair’s stables, Joe tends to be more casually dressed than Billy. Wear a shirt, some trousers, a flat cap and perhaps some braces – but most importantly of all, make sure you’ve got a toy dog by your side to be Daisy the faithful Sinclair’s guard-dog.
A champagne glass was in his hand, and he wore an exquisite dress coat over a snowy white waistcoat, against which a gold watch chain gleamed.
Why not dress up as the mysterious Mr Sinclair himself? Mr Sinclair is always very elegant: he wears a smart suit with a white shirt. You could add a bow-tie, a top-hat, a pocket-watch, or a flower for his button-hole. Don’t forget a soft toy dog to be Lucky, Mr Sinclair’s pet pug!
‘Red Hands’ Randall
One of my favourite costumes I spotted last year was villainous Red Hands Randall from The Painted Dragon! For this costume, you’ll need a dark jacket and trousers, a flat cap or bowler hat and of course a pair of red gloves… plus a very sinister expression!
‘…she was dressed very beautifully in a much-ruffled, lace-trimmed ivory gown. She must be one of this season’s debutantes, and a particularly wealthy one at that.’
Fashionable young ladies like Veronica and her friend Phyllis would wear long dresses, trimmed with lace or frills. These would usually be in light colours like white, ivory, pale pink or pale blue – bright or dark colours would have been considered in very bad taste! A bridesmaid dress or a long party dress would be a great place to start. Remember to add some ladylike accessories such as white gloves, a pearl necklace, or even a parasol. Of course, you’ll also need a hat decorated with flowers, bows or feathers. Maybe you could even add a sparkly brooch to your outfit to be the mysterious jewelled moth itself…
In The Midnight Peacock we meet Tilly – a housemaid who soon finds herself investigating something strange at grand Winter Hall. To dress as Tilly, you’ll need a long dark-coloured dress and a white apron. To complete your outfit, you could add a frilly white maid’s cap.
If you’re looking for more costume inspiration, take a look at my Edwardiana Pinterest board, which is full of Edwardian fashions.
If you do dress up as a character from the Sinclair’s Mysteries, make sure you send me a picture! And if you’re looking for more Sinclair’s Mysteries related things to do for World Book Day, there’s some ideas here.
This week marks the 100th anniversary of the Representation of the People Act 1918, which enabled some women over the age of 30 to vote for the first time – and paved the way for universal suffrage 10 years later. There are all kinds of celebrations going on to commemorate the centenary, including lots of wonderful books being published that celebrate the achievements of girls and women.
I’m very proud to have a story in Make More Noise, a new anthology of short stories featuring inspirational girls and women to celebrate the centenary, and hopefully help encourage the next generation to keep on making their voices heard! Published by Nosy Crow, £1 from the sale of every book will be donated to Camfed, an international charity which tackles poverty and inequality by supporting women’s education in the developing world.
The anthology features stories by lots of amazing writers like Kiran Milwood Hargrave, Patrice Lawrence, Emma Carroll and Sally Nicholls. It’s very wide-ranging: some stories are historical, others contemporary; there’s fantasy, adventure and even a ghost story; so there really is something for everyone!
My story, ‘Tea and Jam’ is set in 1911, and follows Eveline, a 13-year-old ‘maid-of-all-work’. The story was actually inspired by a tea-set in the Museum of London’s collection, featuring the ‘angel of freedom’ logo designed by suffragette Sylvia Pankhurst:
Tea-set from the Museum of London collection
Given that I’d taken the idea for my story from the Museum’s collection it seemed very appropriate that I was there this weekend to celebrate Make More Noise, as part of their special Votes for Women weekend!
Visitors to the Museum could take part in all kinds of activities inspired by the centenary – from banner-making, to trying out suffragette board game Pank-a-Squith, to joining in a rousing march and rally.
Our activities included creative writing inspired by objects from the museum collection, badge-making and of course, dressing up in for some Edwardian-style suffragette portrait photographs.
Lots of people came along, and it was lovely to meet so many enthusiastic readers and noise-makers… we were even joined by some top suffragettes!
Me and Tom Bonnick, the editor of Make More Noise with suffragettes Sylvia Pankhurst, Christina Broom and friend at the Museum of London
Make More Noise was also chosen as Alex O’Connell’s Children’s Book of the the Week in The Times! You can read the review here.
Find out more about Make More Noise on the Nosy Crow website.
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The clock on the mantelpiece had chimed four o’clock and the light was already fading, but down below her, all along the street, the shop windows were bright and twinkling, and the pavements were thronged with people, wrapped up in overcoats and mufflers. Groups were gathering before the windows of Sinclair’s to admire the parade of Christmas trees, beautifully dressed with gleaming silver stars, candied apples and bonbons wrapped in shiny paper…
Beyond, uniformed porters hurried out to waiting motor cars and taxi cabs, their arms piled high with Sinclair’s parcels, and all the while, Sidney Parker, the Head Doorman, stood at the top of the steps ringing a bell to welcome people in.
When I was writing the Sinclair’s Mysteries I knew that the final book, The Midnight Peacock was going to be set at Christmas in 1909. I was excited to write about snowy Edwardian London and Sinclair’s department store during the festive season – but although I already had a good idea of how the Edwardians celebrated Christmas, before I got started, I wanted to learn more about their festive traditions.
Here’s an overview of the Edwardian Christmas:
Christmas trees were a firm fixture of the festive season, having become popular in the UK from the 1850s onwards. Queen Victoria’s husband, Prince Albert, who was German, is usually credited with having introduced them to the UK. Many people put up their Christmas trees on Christmas Eve itself. Christmas decorations would typically have included plenty of evergreens – holly, ivy, laurel, and mistletoe – as well as paper-chains and other home-made paper decorations.
Christmas crackers were first invented in the 1840s by a confectioner called Tom Smith. Originally they were sweets wrapped in pretty paper, containing a motto or message: the idea of making them ‘crack’ is supposed to have been inspired by the crackle of logs burning in the fireplace. Later the sweet inside was replaced by a small gift. Smith’s growing cracker business was later taken over by his sons, Tom, Walter and Henry: Walter introduced paper hats into the crackers, and travelled in search of new ideas for gifts to put inside them. The company went on to develop many different ‘themed’ crackers, including some specially designed for the Suffragettes! By 1900, Tom Smith & Co sold 13 million crackers each year.
Christmas cards were also sent in the UK from the 1840s onwards. Postage was cheap and as a result, sending Christmas cards became very popular: by 1880, 11.5 million cards were sent in the UK each year. But not all of the designs were quite what we’d expect today: far from the traditional images we might imagine, Victorian and Edwardian Christmas cards could feature rather more surreal pictures like these…
Hanging up stockings for Father Christmas to fill was a relatively new tradition, which didn’t begin in the UK until the late 19th/early 20th century. Children’s stockings would have included toys and sweets as well as the traditional orange and nuts. Father Christmas himself looked a little different on Edwardian Christmas cards – often shown wearing a blue hooded robe rather than the red-and-white suit we think of today. Sometimes he was also depicted with a wreath of evergreens around his head.
Christmas dinner wouldn’t necessarily be turkey. Many people in the 1900s would eat roast beef or roast goose for their Christmas meal – but a grand Edwardian Christmas dinner could have included a vast array of dishes such as pheasant pie, an ox-heart in aspic, or even a whole roasted pig’s head. Mince pies and plum pudding would certainly have featured on the Edwardian Christmas menu.
The idea of Christmas shopping was still fairly new. The Edwardians did exchange gifts at Christmas, but not on the same scale that we do today. Many people would give handmade gifts; however, by 1909 department stores like Selfridges were becoming popular for buying Christmas gifts. They had sumptuous Christmas window-displays which for the first time were lit up at night, for passers-by to admire. The first Christmas illuminations arrived a few years later, in 1912.
For more about Edwardian Christmas-time, there is a lovely little book of illustrations called An Edwardian Christmas by John S. Goodall, shown above (sadly now out of print but available secondhand). Lots of Edwardian children’s books have wonderful Christmas scenes – try The Story of the Treasure Seekers by E Nesbit, A Little Princess by Frances Hodgson Burnett or The Wind in the Willows by Kenneth Graeme. Less well known is Christmas with the Savages by Mary Clive which is a funny tale about a little girl’s Christmas holiday in a large Edwardian country house.
Or of course you could also read The Midnight Peacock which as well as Sinclair’s at Christmas will take to a Christmas country house party at snowy Winter Hall, and to Mr Sinclair’s very glamorous Midnight Peacock Ball for New Year’s Eve!
Find out more about The Midnight Peacock | Buy now from Waterstones | The Hive | Amazon
The pictures in this post all come via my trusty Edwardiana Pinterest board (click on an image for the source)
Check out my other ‘Behind the Scenes’ posts exploring the historical background of the Sinclair’s Mysteries
Since The Midnight Peacock was published in October, I’ve had a busy autumn of events to celebrate the brand new book. I’ve been everywhere from the Cheltenham Literature Festival to the Newham Word Festival; the South Ken Kids Lit Festival to the Books-on-Tyne Family Day; the Kingston Children’s Literature Festival to the Museum of London – and even further afield, to Denmark and the UAE!
Here are a few highlights from my autumn adventures:
Getting ready for our Get Creative panel event at Cheltenham Lit Fest – with Chris Edge, Lizzy Stewart and our host Jonathan Stroud.
In sunny Sharjah for the Sharjah Book Fair! I was so excited to join a line-up of authors from around the world for a panel event at the book fair and have the chance to visit Sharjah, which was an amazing experience. There was even time to enjoy some reading on this glorious beach.
Trying on some Edwardian hats during the Midnight Peacock schools tour!
Hanging out with the Aarhus 39 in Aarhus, Denmark for the International Children’s Literature Hay Festival (read more about the trip here)
More from the Midnight Peacock schools tour – just look at this brilliant artwork inspired by The Sinclair’s Mysteries at QES in Kirkby Lonsdale!
Fabulous festive library displays at Queen Katherine School.
After a magical journey north through a snow-storm, we met lovely Ruby the school dog at Sacred Heart Primary School in Newcastle ❤️
Meeting Sinclair’s superfans, and browsing the beautiful Lit & Phil library in Newcastle at the Books-on-Tyne family day!
Getting into the Christmas mood at the Museum of London. At this special Midnight Peacock inspired event in December, we made our own Edwardian-inspired Christmas decorations, dressed up in Edwardian hats and even posed for 1900s-style sepia photographs!
Children who attended also had the chance to write their own mystery story inspired by the museum collections – and they were brilliant! What a wonderful and creative conclusion to the year.
Check out my events calendar for events coming up in 2018 – or sign up for my new quarterly author e-mail newsletter to keep up to date with all the latest news!
After my recent Behind the Scenes post all about Edwardian fashion, I’ve been looking forward to writing about one of the most iconic designers of the early 20th century, Paul Poiret – and his influence on The Midnight Peacock.
Born in Paris in 1879, Poiret started out as apprentice to an umbrella-maker and then worked as a dress designer before being hired by Paris couture house Jacques Doucet. His first design for them (a red cape) sold an impressive 400 copies. He went on to work for another famous couture house, the House of Worth, where he pioneered new modern shapes, and simple loose-fitting styles that were suited to a slim, uncorseted figure – and were very different to the fashions that Edwardian ladies typically wore.
These styles were often highly controversial – in fact, when he presented the Russian Princess Bariatsky with one of his kimono-style coats, she exclaimed:
What a horror! When there are low fellows who run after our sledges and annoy us, we have their heads cut off, and we put them in sacks just like that!
In 1903, Poiret established his own couture house where he focused on bold new styles including the hobble skirt, the cloche hat, the ‘lampshade’ tunic, and most daring of all the ‘harem pants’. His designs made use of strong shapes and lines, innovative draping techniques and a rich colour palette. He particularly disliked the pale pastel colours of his day, which he describes in his autobiography as:
…nuances of nymph’s thigh, lilacs, swooning mauves, tender blue hortensias, niles, maizes, straws, all that was soft, washed-out and insipid… I threw into this sheepcote a few rough wolves: reds, greens, violets, royal blues, that made all the rest sing aloud… There were orange and lemon crêpe de Chines, which they would not have dared to imagine… the morbid mauves were hunted out of existence.
Poiret took inspiration from Leon Bakst’s designs for the Ballets Russes as well as objects he saw in museums, and the latest modern art movements. He worked with a number of artists, who drew fashion illustrations or created textile prints for him – including Raoul Dufy and Erté. He also collaborated with art photographer Edward Steichen to create what is now considered to be the first ever modern fashion photography shoot. His work was enormously influential, and continues to inspire designers today. (The rich colours, lush fur trimmings and sumptuous embellished velvets of A/W 2017 are definitely very Poiret!)
But as well as being known for the artistry of his designs, Poiret was also a highly innovative marketeer. He gained a reputation for his theatrical flair for promotion, creating opulent and eye-catching window displays – some of which were inspired by the seasons. He wrote:
When it snowed, I called up all the faëry of winter by white cloths and tulles and muslins intermingled with dead branches, and I dressed the passing moment with an appositeness that ravished all who walked by in the street.
Poiret was also one of the first fashion designers to branch out into other areas such as interior design and perfume. In 1911, he unveiled a line of fragrances named ‘Parfums de Rosine’ after his eldest daughter.
Parfums de Rosine
He really pushed the boat out for the launch of his first fragrance, throwing a sensational party at his luxurious home in Paris, entitled ‘La Mille et Deuxième Nuit’ (the Thousand and Second Night). 300 guests attended the event, which he described as ‘an unforgettable fete’. His gardens were lit with lanterns and filled with tropical birds and monkeys: there were storytellers, dancers, ‘mysterious and sinful drinks’ served in ‘crystal ewers’ and Poiret himself appeared as the reigning ‘sultan’ of the evening, gifting his guests with bottles of his perfume ‘Nuit Persane’.
If you’ve read The Midnight Peacock, you won’t be surprised to learn that Paul Poiret was an important point of inspiration for the character of French fashion designer César Chevalier who appears in the book and teams up with Mr Sinclair for a lavish New Year’s Eve Ball to launch his new Maison Chevalier fragrance ‘The Midnight Peacock’. The Midnight Peacock Ball itself of course also takes some inspiration from Poiret and his lavish parties. The scented fan invitation which appears at the start of the book also takes its cue from Poiret, who used scented fans like this one to advertise his ‘Parfums de Rosine’.
The clothes that Sophie and Lil and the guests at the Midnight Peacock Ball wear are also very much inspired by Poiret’s designs – and I think he’d definitely approve of the rich purple cover! Take a look at the Midnight Peacock Pinterest board for lots more visual inspirations for the book.
If you’d like to read more about Paul Poiret, his autobiography The King of Fashion published by the V&A is full of entertaining snippets, whether he’s describing a black cloak as expressing ‘all the sadness of a romantic dénouement, all the bitterness of a fourth act’ or describing a fellow couturier as ‘pinning on ribbons with enchanted hands, modelling and draping and cutting out, with the great scissors he produced from his pocket, in a fire of inspiration, satins, taffetas, tulles and muslins…the joy and excitement that fill a true creator of fashion.’
The pictures in this post all come via my trusty Edwardiana Pinterest board (click on an image for the source) where you can also find lots more pictures of Edwardian fashion
Find out more about The Midnight Peacock | Buy now from Waterstones | The Hive | Amazon
Check out my other ‘Behind the Scenes’ posts exploring the historical background of the Sinclair’s Mysteries
*Don’t forget! You have until 18 December to enter my Midnight Peacock competition to win a signed book and a box of festive goodies. Sign up to my newsletter here to enter – or find out more*