Archive of ‘Sinclair’s Mysteries’ category
Since The Midnight Peacock was published in October, I’ve had a busy autumn of events to celebrate the brand new book. I’ve been everywhere from the Cheltenham Literature Festival to the Newham Word Festival; the South Ken Kids Lit Festival to the Books-on-Tyne Family Day; the Kingston Children’s Literature Festival to the Museum of London – and even further afield, to Denmark and the UAE!
Here are a few highlights from my autumn adventures:
Getting ready for our Get Creative panel event at Cheltenham Lit Fest – with Chris Edge, Lizzy Stewart and our host Jonathan Stroud.
In sunny Sharjah for the Sharjah Book Fair! I was so excited to join a line-up of authors from around the world for a panel event at the book fair and have the chance to visit Sharjah, which was an amazing experience. There was even time to enjoy some reading on this glorious beach.
Trying on some Edwardian hats during the Midnight Peacock schools tour!
Hanging out with the Aarhus 39 in Aarhus, Denmark for the International Children’s Literature Hay Festival (read more about the trip here)
More from the Midnight Peacock schools tour – just look at this brilliant artwork inspired by The Sinclair’s Mysteries at QES in Kirkby Lonsdale!
Fabulous festive library displays at Queen Katherine School.
After a magical journey north through a snow-storm, we met lovely Ruby the school dog at Sacred Heart Primary School in Newcastle ❤️
Meeting Sinclair’s superfans, and browsing the beautiful Lit & Phil library in Newcastle at the Books-on-Tyne family day!
Getting into the Christmas mood at the Museum of London. At this special Midnight Peacock inspired event in December, we made our own Edwardian-inspired Christmas decorations, dressed up in Edwardian hats and even posed for 1900s-style sepia photographs!
Children who attended also had the chance to write their own mystery story inspired by the museum collections – and they were brilliant! What a wonderful and creative conclusion to the year.
Check out my events calendar for events coming up in 2018 – or sign up for my new quarterly author e-mail newsletter to keep up to date with all the latest news!
After my recent Behind the Scenes post all about Edwardian fashion, I’ve been looking forward to writing about one of the most iconic designers of the early 20th century, Paul Poiret – and his influence on The Midnight Peacock.
Born in Paris in 1879, Poiret started out as apprentice to an umbrella-maker and then worked as a dress designer before being hired by Paris couture house Jacques Doucet. His first design for them (a red cape) sold an impressive 400 copies. He went on to work for another famous couture house, the House of Worth, where he pioneered new modern shapes, and simple loose-fitting styles that were suited to a slim, uncorseted figure – and were very different to the fashions that Edwardian ladies typically wore.
These styles were often highly controversial – in fact, when he presented the Russian Princess Bariatsky with one of his kimono-style coats, she exclaimed:
What a horror! When there are low fellows who run after our sledges and annoy us, we have their heads cut off, and we put them in sacks just like that!
In 1903, Poiret established his own couture house where he focused on bold new styles including the hobble skirt, the cloche hat, the ‘lampshade’ tunic, and most daring of all the ‘harem pants’. His designs made use of strong shapes and lines, innovative draping techniques and a rich colour palette. He particularly disliked the pale pastel colours of his day, which he describes in his autobiography as:
…nuances of nymph’s thigh, lilacs, swooning mauves, tender blue hortensias, niles, maizes, straws, all that was soft, washed-out and insipid… I threw into this sheepcote a few rough wolves: reds, greens, violets, royal blues, that made all the rest sing aloud… There were orange and lemon crêpe de Chines, which they would not have dared to imagine… the morbid mauves were hunted out of existence.
Poiret took inspiration from Leon Bakst’s designs for the Ballets Russes as well as objects he saw in museums, and the latest modern art movements. He worked with a number of artists, who drew fashion illustrations or created textile prints for him – including Raoul Dufy and Erté. He also collaborated with art photographer Edward Steichen to create what is now considered to be the first ever modern fashion photography shoot. His work was enormously influential, and continues to inspire designers today. (The rich colours, lush fur trimmings and sumptuous embellished velvets of A/W 2017 are definitely very Poiret!)
But as well as being known for the artistry of his designs, Poiret was also a highly innovative marketeer. He gained a reputation for his theatrical flair for promotion, creating opulent and eye-catching window displays – some of which were inspired by the seasons. He wrote:
When it snowed, I called up all the faëry of winter by white cloths and tulles and muslins intermingled with dead branches, and I dressed the passing moment with an appositeness that ravished all who walked by in the street.
Poiret was also one of the first fashion designers to branch out into other areas such as interior design and perfume. In 1911, he unveiled a line of fragrances named ‘Parfums de Rosine’ after his eldest daughter.
Parfums de Rosine
He really pushed the boat out for the launch of his first fragrance, throwing a sensational party at his luxurious home in Paris, entitled ‘La Mille et Deuxième Nuit’ (the Thousand and Second Night). 300 guests attended the event, which he described as ‘an unforgettable fete’. His gardens were lit with lanterns and filled with tropical birds and monkeys: there were storytellers, dancers, ‘mysterious and sinful drinks’ served in ‘crystal ewers’ and Poiret himself appeared as the reigning ‘sultan’ of the evening, gifting his guests with bottles of his perfume ‘Nuit Persane’.
If you’ve read The Midnight Peacock, you won’t be surprised to learn that Paul Poiret was an important point of inspiration for the character of French fashion designer César Chevalier who appears in the book and teams up with Mr Sinclair for a lavish New Year’s Eve Ball to launch his new Maison Chevalier fragrance ‘The Midnight Peacock’. The Midnight Peacock Ball itself of course also takes some inspiration from Poiret and his lavish parties. The scented fan invitation which appears at the start of the book also takes its cue from Poiret, who used scented fans like this one to advertise his ‘Parfums de Rosine’.
The clothes that Sophie and Lil and the guests at the Midnight Peacock Ball wear are also very much inspired by Poiret’s designs – and I think he’d definitely approve of the rich purple cover! Take a look at the Midnight Peacock Pinterest board for lots more visual inspirations for the book.
If you’d like to read more about Paul Poiret, his autobiography The King of Fashion published by the V&A is full of entertaining snippets, whether he’s describing a black cloak as expressing ‘all the sadness of a romantic dénouement, all the bitterness of a fourth act’ or describing a fellow couturier as ‘pinning on ribbons with enchanted hands, modelling and draping and cutting out, with the great scissors he produced from his pocket, in a fire of inspiration, satins, taffetas, tulles and muslins…the joy and excitement that fill a true creator of fashion.’
The pictures in this post all come via my trusty Edwardiana Pinterest board (click on an image for the source) where you can also find lots more pictures of Edwardian fashion
Find out more about The Midnight Peacock | Buy now from Waterstones | The Hive | Amazon
Check out my other ‘Behind the Scenes’ posts exploring the historical background of the Sinclair’s Mysteries
*Don’t forget! You have until 18 December to enter my Midnight Peacock competition to win a signed book and a box of festive goodies. Sign up to my newsletter here to enter – or find out more*
December is here – and it’s time for this year’s Sinclair’s Mysteries Christmas competition!
If you’ve been reading this blog for a while, you might know that for the last two years I’ve run a festive competition to win a signed copy of my latest book in the Sinclair’s Mysteries series, plus a beautiful box of lovely Christmas treats inspired by Sinclair’s department store. Each box is completely unique and a one-off, containing a signed and dedicated book, plus a selection of goodies that I’ve chosen specially to coincide with the book itself. You can take a peek at my Jewelled Moth inspired box here, and see the original Clockwork Sparrow box here.
This year’s box takes its cue from Midnight Peacock and I really think it’s the loveliest one I’ve ever made! Take a sneak peek inside the lovely peacock-print box at some of the treats you’ll find, including a signed and dedicated copy of The Midnight Peacock, a beautiful peacock Christmas tree decoration from Liberty London, and Christmas spiced biscuits from Fortnum & Mason:
So how can you be in with the chance to win the Christmas box? Well this year it’s very easy: all you have to do is sign up for my brand new quarterly author newsletter!
Subscribe to receive the latest news, events updates, special book recommendations, competitions and more by email. Newsletters will be arriving approximately once a quarter, so your inbox won’t get clogged up with lots of emails; you’ll be the first to hear all the news about my new books; and the newsletter will also contain exclusive content you won’t find anywhere else. If you sign up by Monday 18 December 2017, you’ll be entered into the Midnight Peacock competition to win this year’s special Christmas box!
Here’s a link to my website where you can sign up
A quick post to share the news that I’ll be doing a special ‘Ask the Author’ chat over on the Egmont Twitter account on Tuesday 28 November.
Come along and join us to talk about The Midnight Peacock, to get into the festive mood, and to ask me anything (well, within reason, anyway!)
Hope see you there!
Illustration by Karl James Mountford, from The Midnight Peacock
One of the first things most of us think of when we think of the Edwardians is the grand country house. It appears everywhere from Downton Abbey to The Go-Between, not to mention in dozens of mysteries, romances and ghost stories. The period from 1861 – 1914 is generally considered to have been the ‘golden age’ of the English country house – and the country house party in particular was a mainstay of upper-class Edwardian social life.
Entertaining was a mark of status for well-off Edwardians. For the Edwardian gentry, their country estate was a place to display their wealth, power and refined taste via their art collections and elegant furniture, their sumptuous grounds, their army of servants, and the lavish food and drink at their table. Hosting a country house party would allow them to showcase all this to their peers.
Sometimes lasting weeks at a time, but more often from Saturday until Monday (literally referred to as ‘Saturday-to-Monday’ – as we’ve learned from the Countess of Grantham, the word ‘weekend’ was considered rather vulgar) country house parties most often took place during August and September.
Up to 20 or 30 people would typically be invited, each of whom might bring their own servants with them (perhaps a maid or a valet, and possibly a chauffeur) as well as a large quantity of luggage. An Edwardian lady would not want to wear the same outfit twice during her stay, and with different clothes typically expected at breakfast, lunch, tea and dinner, a three-day visit could require as many as fifteen different ensembles!
Gentlemen of the party would spend their days shooting, while the ladies wrote letters, read, strolled in the gardens or perhaps took part in outdoor activities like riding, croquet or lawn tennis.
Food was of course a most important aspect of any Edwardian house party! The day would begin with a vast breakfast spread, featuring fruit, eggs, toast, muffins, rolls, bacon, ham, kidneys, pies, haddock, kedgeree, tea, coffee, cocoa and more – though the ladies of the party might well take their breakfast in bed. As well as a generous luncheon, there would be afternoon tea in the drawing room, and in the evening the party would gather for a sumptuous dinner.
After dinner the ladies would typically retire to the drawing room, leaving the gentlemen to enjoy their port and cigars before rejoining the ladies for an evening of music, dancing or card games like bridge or baccarat (the latter was actually illegal at the time, but like Leo’s brother Vincent in The Midnight Peacock, many people in Edwardian high society enjoyed scandalous gambling!)
As well as being an opportunity for socialising, country house parties could offer a chance for matches to be made. Young ladies who had not found a husband during the Season might have the opportunity to meet and get to know a suitable young man, often of their parents’ choosing. (That’s exactly what Veronica Whitley’s parents have in mind in The Midnight Peacock – but things don’t quite go to plan…)
In the world of the Sinclair’s Mysteries, we’ve already had a peep inside a grand Edwardian country house in The Painted Dragon – Leo’s family home, Winter Hall. In the final book, The Midnight Peacock, I wanted to take us back to Winter Hall, and allow Sophie and Lil to experience the world of a high society Edwardian house party, with all its complex rules and traditions. Here, it’s a Christmas house party, complete with ice-skating, snowy walks, and a Christmas party for the children of the estate. But amongst all the festivities, there’s a mystery afoot – and Sophie and Lil soon discover that Winter Hall is hiding a sinister and spooky secret…
Check out my other ‘Behind the Scenes’ posts exploring the historical background of the Sinclair’s Mysteries