I’m so excited that The Mystery of the Clockwork Sparrow is now available as an audiobook, beautifully read by actress Jessica Preddy. You can listen to a sample of the audio book here.
I loved audiobooks growing up and listened to lots of them – I have lots of very vivid memories of long car journeys listening to Winnie the Pooh, Roald Dahl stories and tapes of children’s poetry. It’s brilliant to think that people will now be able to discover The Mystery of the Clockwork Sparrow in exactly the same way!
This week we revealed the cover for the sequel to The Mystery of the Clockwork Sparrow and The Mystery of the Jewelled Moth! Say hello to The Mystery of the Painted Dragon!
As you might guess from the title (and the graphic above) the third book in the series takes Sophie, Lil and the rest of the gang into the Edwardian art world. The story centres around a priceless painting that has been stolen in such baffling circumstances that even our young sleuths don’t know what to make of it.
Can Sophie and Lil find the missing painting, unmask the villain, and prove themselves detectives to be reckoned with? You’ll have to wait until February 2017 to find out…
For now, let’s take a closer look at the incredibly gorgeous cover art, created by amazing illustrator Karl James Mountford.
Karl worked closely with Benjamin Hughes, Art Director at Egmont, to create this stunning cover, which features beautiful shiny copper foil. I think it’s going to look so lovely on the shelf next to Clockwork Sparrow and Jewelled Moth.
I’ve also been lucky enought to have an early peek at some of the interior illustrations that Karl is creating for this book, which are so special. I can’t wait to be able to share the finished book!
The Mystery of the Clockwork Sparrow and The Mystery of the Jewelled (or should I say Jeweled?) Moth have now been published in the USA by Kane Miller Books!
Louise and I celebrated the books going Stateside with a trip to Shakeshack for peanut butter and banana frozen custard, fries and peach lemonade. YUM.
I’m so excited that the books are now available in the US, and so pleased to be published by Kane Miller. Take a look at this little video I made for them to introduce their sales consultants to the books:
For my short story for the Mystery & Mayhem anthology, I wanted to try something a little different. Unlike the other Sinclair’s Mysteries, ‘The Mystery of the Purloined Pearls’ is written in the first person – from the point of view of aspiring actress Lil.
The action of the story takes place in between ClockworkSparrow and Jewelled Moth. As well as being a fun opportunity to see Lil doing some solo detective work, this story also allowed me to explore another area of Edwardian London – the Edwardian theatre!
We see something of the theatre in Clockwork Sparrow when Sophie goes to see Lil performing in the chorus line of a new show called The Shop Girl (fun fact: there really was a popular Edwardian musical comedy with this title – in real life it was originally performed in 1894!) However ‘The Mystery of the Purloined Pearls’ shows us more of the theatre world – and takes readers behind the scenes with Lil and the other performers.
Theatre was incredibly popular in Edwardian London. Before cinema or television, it was one of the most important form of entertainment; and whether they preferred the lively music halls of the East End, or the grand theatres of the West, the people of London flocked to see all the latest productions. Many theatres took advantage of exciting new techologies, such as electric light, to create impressive spectacles for their productions.
One of the most important of the West End’s theatres at this time was The Gaiety on Aldwych. Run by George Edwardes, known as ‘The Guv’nor’, it became famous for its frothy musical comedy productions – and in particular its dancing, singing chorus line of ‘Gaiety Girls’. Shows like A Gaiety Girl, and Our Miss Gibbs were hugely popular and were soon copied by many other theatres, both in London and beyond.
Gabrielle Ray on the cover of a 1909 edition of the Illustrated London News
Theatre stars like Gabrielle Ray (above), Gertie Millar, and Phyllis Dare, were the celebrities of their day – much like (the fictional) Miss Kitty Shaw, whose pearls dramatically go missing in ‘The Mystery of the Purloined Pearls’.
Theatre also had a huge influence on Edwardian fashion and style – The Merry Widow, which opened at Daly’s Theatre in 1907, not only helped make a big star of actress Lily Elsie, but also inspired a widespread fashion for wide-brimmed and plumed ‘Merry Widow’ hats which were an essential accessory for any fashionable lady over the next few years.
Lily Elsie’s costumes for the production were designed by leading London fashion designer Lucile who went on to design her personal clothes as well as costumes for several of her other shows. Lucile wrote: ‘That season was a very brilliant one… And just when it was at its zenith, a new play was launched with a new actress who set the whole town raving over her beauty.’ Lily Elsie soon became one of the most-photographed women of the Edwardian era.
There are lots of pictures of Edwardian theatre stars on my Edwardiana Pinterest board – as well as theatre programmes, tickets and photographs of what the theatres looked like. I found it fascinating to explore all this visual material about the glamorous world of the Edwardian theatre – but I particularly love these pictures of Lily Elsie, because she looks rather like how I imagine Lil!
If you like reading about the Edwardian theatre in this story, you might also enjoy reading Lyn Gardner’s Rose Campion mysteries, which are set a little earlier than the Sinclair’s Mysteries, and take place in the exciting world of the Victorian music hall!
The pictures in this post all come via my trusty Edwardiana Pinterest board (click the image for the source) where you can also find lots more pictures of the Edwardian era.
Whilst The Mystery of the Clockwork Sparrow focuses closely on the people and goings-on of Sinclair’s, The Mystery of the Jewelled Moth represents a kind of ‘zoom out’ – allowing readers to see more of both the wealthy Sinclair’s customers, such as Veronica Whiteley and her friends, but also something of London’s flip-side – the docks of the East End, where the beautiful goods that were sold at Sinclair’s would first have arrived in the city.
At this time, East End was one of the poorest parts of the London. Whilst just a few miles away, London’s richest grew ever richer thanks to trade with the Empire, life here was tough. Living conditions were poor – some families lived ten to a room, with no access to clean water – wages were low, and disease flourished.
Children’s lives were especially hard – nearly 20% died before their first birthday – and they were often left to fend for themselves and their younger siblings from a very young age, running errands, sweeping streets or helping to make matchboxes to bring in a few much-needed pennies to buy a little stale bread.
East End child, 1911
In spite of all this, the East End was hugely important to London, as the place where goods from all over the world arrived in Britain. Whilst today our docks are largely automated, in the Edwardian era, they employed many thousands of people. Communities of sailors sprung up around the docks – itinerant populations who came and went on the big ships that sailed out of the London docks and travelled all over the world. As such, the East End fast became one of London’s most diverse and multi-cultural quarters.
It was also a place where crime was rife: perhaps not surprising given that for many people ‘honest work’ would mean working 14 hour days at the docks for low pay. The East End has a long history of famous criminals and gangsters (ranging from the Kray brothers to the ‘racetrack gangs’ of the 1920s and 1930s) but in the Edwardian era, probably the best-known was Arthur Harding, who was born in the slums of the Old Nichol in 1886.
Harding became a petty thief early in life and earned his first prison sentence aged 16, before becoming an East End ‘captain of thieves’ on his release. His major rival was Isaac ‘Ikey’ Bogard – a flamboyant character who strode the streets of Spitalfields in a cowboy outfit, with a six-shooter stuck in his back and an assumed American accent to match. (Later in life, Harding wrote his memoirs about his life of crime, which make for entertaining reading.)
There are lots of stories told about the East End of London in the 19th and early 20th centuries. These range from the dark and sinister tales of the Jack the Ripper murders, to the writings of authors like Charles Dickens and Henry Mayhew, who passionately wanted to draw people’s attention to the abject poverty of the East End, and the inequalities of British society.
A little later, and closer to the time that The Mystery of the Jewelled Moth is set, Arthur Morrison published a powerful novel A Child of the Jago, set in a fictional version of the Old Nichol slums, whilst Jack London wrote a book called The People of the Abyss, about his experience of living the life of an East End Londoner for a few months, staying in workhouses or sleeping on the streets.
Today, it’s difficult to read accounts like these without being struck by the awful contrast between the lavish lives of the Edwardian ‘super-rich’ – with their grand balls, elaborate fashions and extraordinarily extravagant meals – and the daily struggles of the Edwardian poor. In The Mystery of the Jewelled Moth, I wanted to explore this contrast, and to write about the Edwardian East End as well as the West. However, I also wanted to tell a slightly different story from the dark tales we might have previously encountered about this area.
I chose to focus particularly on Chinatown, which in this period was situated in the East End, in Limehouse, close to the London docks. You can read more about why I specifically wanted to write about Edwardian Chinatown on the Guardian website here.
In particular, Jewelled Moth introduces us to a young East End girl, Mei Lim and her family. Compared to many children of the East End, Mei is very fortunate – she’s been able to stay on at school until the age of 13, and her parents have their own business, a small grocer’s shop, making them comparitively affluent. But life is still tough and precarious – especially when the Baron’s gang of thugs appear in Chinatown, and start making their presence felt…
A real Chinese shop in Limehouse, 1920s.
The adventure that follows shows two contrasting sides of Edwardian London – the glamorous West End, and the more dangerous and down-at-heel East. The Lim family grocery shop certainly couldn’t be much more different from the glittery, glamorous surroundings of Sinclair’s. Yet I hope the story also points to some of the ways that the carefully-maintained social barriers of the Edwardian era were just beginning to unravel. Although they may live in very different worlds, Mei and her family become unexpectedly entangled with Veronica and her debutante friends, and before long, they find themselves helping each other. Perhaps the people of the West and East Ends of London are not necessarily so very different from each other, after all?
If you’re interested in reading more about London’s East End during the 19th and early 20th centuries, I’d particularly recommend the following books:
London Labour and the London Poor by Henry Mayhew. Written in the mid-nineteenth century, this is an in-depth and very influential exploration of the lives of the London poor based on Mayhew’s interviews with street traders, entertainers, thieves, beggars, sewer-scavengers, chimney-sweeps and many more.
The People of the Abyss by Jack London. Author Jack London was a passionate social activist and in 1902 he decided to experience hands-on how the London poor lived, exploring the slums, sleeping rough and staying in workhouses. This is the book he wrote about his experiences, which makes for a powerful and thought-provoking read.
Lost Voices of the Edwardians by Max Arthur. This wide-ranging book captures the day-to-day lives of working people in Britain throughout the 1900s. It brings together information about many different people and places, but includes lots of memories about what daily life was like in the East End of London during the Edwardian era – including some snippets from Arthur Harding’s memoirs.