It’s on the shortlist for the Younger Fiction category of the prize, along with five other fantastic books:
Bird by Crystal Chan (Tamarind)
Darkmouth by Shane Hegarty (HarperCollins)
Witch Wars by Sibéal Pounder (Bloomsbury)
The Blackthorn Key by Kevin Sands (Puffin)
My Brother is a Superhero by David Solomons (Nosy Crow)
There are also lots of brilliant books shortlisted for the Illustrated Book and Older Fiction category of this year’s Prize – including lots of my favourites!
It’s particularly special to me that Clockwork Sparrow has been shortlisted for this prize, as the shortlist is chosen by booksellers in Waterstones stores. I’ve written here before about how much I love Waterstones: it’s so important that we have a top quality high street bookseller, with knowledgeable booksellers and a wide range of books.
I was inspired by Mel Salisbury who wrote this lovely blog post about being shortlisted for the Older Fiction category, to write a bit about my own relationship with Waterstones. We didn’t actually have a Waterstones in Chorley, the small market town closest to where I grew up (though these days you can find a great indie bookshop there – the lovely Ebb & Flo). But a trip to the big Waterstones in nearby Preston was about the most exciting thing I could imagine, and I can remember spending HOURS in the children’s section, luxuriating in the deliciously difficult task of choosing which books to buy with my Christmas or birthday money.
When I was 11, my mum and I moved a little further north to Lancaster, and I was thrilled to realise that we now lived just 10 minutes walk from a big Waterstones. I could go there as often as I wanted – and I did, feeling extremely grown-up and sophisticated. I knew that bookshop inside out, and spent a lot of time choosing a new Baby-Sitter’s Club title, or eyeing up the Judy Blumes. Lots of my favourite books came from that shop – I especially remember buying The Diary of a Young Girl by Anne Frank, A Little Love Song and Cuckoo Song by Michelle Magorian, and The Quantocks Quartet by Ruth Elwin Harris – which was one of the series that first made me interested in the Edwardian period.
It was apt that a few years later, I ended up doing work experience in that very same Waterstones, where the lovely booksellers were so welcoming and embraced my enthusiasm for all things bookish! A year or so after that, when a Saturday job became available, I was lucky enough to get it. I loved being a Waterstones bookseller, and had such a great time there that I even carrying on working occasionally during my holidays after I went away to university.
These days, Waterstones bookshops are some of my favourite places in London – from the glorious flagship store, Waterstones Piccadilly, to the gorgeous new Waterstones Tottenham Court Road where I recently went to hear Juno Dawson talk about her latest book Mind Your Head.
I’ve been lucky enough to attend the Waterstones Children’s Book Prize ceremony for the last few years in the company of the Waterstones Children’s Laureate, who has the job of presenting the prize to the overall winner. I’ve always loved having the chance to meet the authors and illustrators on the shortlist – it’s a dream come true to realise that this year, one of those authors will be me!
In other very exciting prize news, I’ve also recently found out that The Mystery of the Clockwork Sparrow has been longlisted for the Branford Boase Award 2016. This is another really lovely prize, and one of the things that makes it special is that it’s not just a prize for a book’s author, but for its editor too – so I share my longlisting with my two wonderful editors, Ali Dougal and Hannah Sandford.
The prize is named for author Henrietta Brandford and her editor Wendy Boase: I love that it reflects the fact that a book is a real team effort, and recognises all the hard work of the editors as well as the author in creating the finished work.
Hello again! It’s been a little quiet here over the last few weeks because of a few pesky technical issues. But I’m back today with some very exciting news – the very first advance copies of The Mystery of the Jewelled Moth have been winging their way out into the world to journalists, book bloggers and booksellers.
Here’s a quick peep – isn’t it a beauty?
As with The Mystery of the Clockwork Sparrow, the glorious cover and interior illustrations are the work of the amazing illustrator Júlia Sardà (check out more of her beautiful children’s book illustrations here!) The design is by Benjamin Hughes at Egmont, who once again has done an incredible job of making a spectacular package. Just look at that lovely silver foil!
The book went out accompanied with a press release in the style of an invitation to a fancy-dress ball, plus a mysterious costume mask, which is especially appropriate for this new story. Here’s the blurb from the back cover:
The honour of your company is requested at Lord Beaucastle’s fancy dress ball
Wonder at the puzzling disappearance of the JEWELLED MOTH! MARVEL as our heroines, SOPHIE AND LIL, don cunning disguises, mingle in high society and munch many cucumber sandwiches to solve this curious case! APPLAUD THEIR BRAVERY as they follow a trail of TERRIBLE SECRETS that leads straight to London’s most dangerous CRIMINAL MASTERMIND, and could put their own lives at risk…
It will be the most thrilling event of the season!
The Mystery of the Jewelled Moth is published on 25 February – less than a month away (eek!)
Like my own fictional department store-owner Mr Sinclair, Selfridge was an American. Born in Wisconsin in 1856, he left school at 14, first finding work as a junior book-keeper in a bank. He had several other jobs before aged 22, he took on a position at Marshall Field, then one of Chicago’s biggest and most successful new department stores.
Selfridge’s initial position at the store couldn’t have been much lowlier – he was employed as a ‘stock boy’ working in the wholesale department. But his energy and ambition led him to quickly climb the ladder, bringing lots of new ideas to help the store to grow and thrive. Within eight years he was promoted to manager, gaining a reputation for clever innovation, a flair for publicity, and the highest standards of customer service. In fact, whilst working at Marshall Field, he is supposed to have come up with the maxim ‘the customer is always right’.
Marshall Field department store in the 1800s
Before long ‘mile-a-minute Harry’ as he had become known had risen through the ranks, and had become a junior partner. He revelled in his new wealth and status, enjoying dressing elegantly and living the life of a Chicago society gentleman.
In 1890, he married Rose Buckingham, the daughter of a prominent Chicago family. Rose too had a head for business, having already enjoyed some success as a property developer – at that time unusual for a young woman. The couple had a spectacular wedding, and went on to have five children.
But after being refused a full partnership at Marshall Field, Selfridge began to look beyond Chicago. A holiday to London had given him the opportunity to observe a gap in the market – although London was at that time one of the most important cities in the world, its department stores had nothing to compare to their luxurious American equivalents, or to the elegant grand magasins of Paris.
After finding a site on Oxford Street, at what was then considered the ‘unfashionable end’, Selfridge invested some £400,000 in developing it. The costs of his project were huge, and there were all kinds of complications to overcome before his dream of opening London’s largest department store could become a reality – but at last, Selfridges opened in March 1909, in a blaze of publicity.
A newspaper advertisement from Selfridges opening in 1909
Meanwhile, Selfridge himself had become something of a celebrity in London. When he arrived at the store each morning – always very promptly at 8.30am – a crowd would have gathered on the pavement to see him. He always doffed his hat to his watching admirers.
He had a large corner office on the fourth floor of the store, with its own lift and a private dining room where he could entertain important guests. As well as a personal secretary, he had his own social secretary and a valet who would visit him in his office each morning to make sure he was always perfectly dressed.
Each day he would walk the store’s six acres. The department managers would anxiously telephone ahead to warn staff that he was approaching. He sent messages to his staff in special yellow envelopes – and he also famously used an hourglass in all his meetings, to stop people taking up too much of his time.
Selfridge hard at work
He also continued to bring all kinds of new ideas to his store – from exhibiting the aeroplane in which Louis Bleriot first crossed the Channel, to later on in 1925, hosting one of the first ever demonstrations of live television.
Selfridge captured some of his ideas about shops and shopping in a book, The Romance of Commerce which was published in 1918. The book included chapters exploring ancient commerce, Lorenzo de Medici, the East India company, and much more!
Flush with his success, Selfridge enjoyed a glamorous London life in the 1910s and 1920s. But in the later years of his life, his extravagance began to catch up with him. After losing much of his fortune in the Great Depression, and struggling to compromise on his luxurious lifestyle, he soon became heavily in debt. He was eventually forced out of Selfridges in 1941 on a reduced pension – and when he died just six years later, he was almost destitute.
His intriguing life story has since inspired a biography – Lindy Woodhead’s Shopping, Seduction and Mr Selfridge which I mentioned in my last post – and a TV series as well. (I can’t help thinking that their version of Mr Selfridge looks a little different from the real-life man himself, pictured above!)
Jeremy Piven as Mr Selfridge in the ITV series
And of course, Selfridge also helped to inspire The Mystery of the Clockwork Sparrow. I was fascinated by the story of this charismatic character, who was often in my mind when I was creating my own fictional department store-owner, Edward Sinclair.
Although he’s also a wealthy American, Mr Sinclair ended up being quite a different character to the real-life Selfridge. He’s a younger, single man-about-town who lives in elegant apartments over the store, whose unknown past is much speculated upon by his employees – and who is always a little bit of a mystery…
But I did enjoy giving my Mr Sinclair a few of Mr Selfridge’s idiosyncracies. For example, Selfridge famously loved pug dogs – so I’ve given Mr Sinclair his very own pet pug, Lucky. And just like Mr Selfridge, Sinclair wears an orchid in his buttonhole and takes great pride in being immaculately dressed at all times.
Here’s where we first hear about Mr Sinclair, in Chapter 1 of The Mystery of the Clockwork Sparrow:
The owner of Sinclair’s department store was Mr Edward Sinclair, who was as famous as the store itself. He was an American, a self-made man, renowned for his elegance, for the single, perfect orchid he always wore in his buttonhole, for the ever-changing string of beautiful ladies on his arm, and most of all for his wealth. Although most of them had only been working for him for a few weeks, and most of them had barely set eyes on him, the staff of Sinclair’s had taken to referring to him as ‘the Captain’ because rumour had it that he had run away to sea in his youth. There were already a great number of rumours about Edward Sinclair. But whether or not the stories were true, it seemed like an apt nickname. After all, the store itself was a little like a ship: as glittering and luxurious as an ocean liner, ready to carry its customers proudly on a journey to an exotic new land.
Will we learn more about the mysterious Mr Sinclair (and his secrets)? You’ll have to wait for next year’s The Mystery of the Jewelled Moth to find out…
Season’s greetings! I’m very excited because today I’m revealing the incredibly gorgeous cover for the sequel to The Mystery of the Clockwork Sparrow.
Take a look at the beautiful The Mystery of the Jewelled Moth, publishing in March 2016!
Once again, illustrator Júlia Sardà and the design team at Egmont have done an absolutely incredible job with this cover. I really love the vibrant red, and of course the shiny silver foil (just look at the tiny silver bubbles from the champagne glasses!)
The cover also gives you a few clues to what happens in the next book… here’s the blurb from the back cover:
The honour of your company is requested at Lord Beaucastle’s fancy dress ball. Wonder at the puzzling disappearance of the Jewelled Moth! Marvel as our heroines, Sophie and Lil, don cunning disguises, mingle in high society and munch many cucumber sandwiches to solve this curious case! Applaud their bravery as they follow a trail of terrible secrets that leads straight to London’s most dangerous criminal mastermind, and could put their own lives at risk… It will be the most thrilling event of the season!
You can now pre-order The Mystery of the Jewelled Mothhere.
To celebrate the cover reveal (and the fact it’s nearly Christmas!) I’m running a festive competition here, on Twitter and and on my author Facebook page.
Enter for the chance to win a signed copy of The Mystery of the Clockwork Sparrow, plus a box of lovely goodies worthy of Sinclair’s department store itself.
Here’s a little sneak peek at the prize:
The peacock print box is so pretty, and it’s packed full of treats that could almost have come right out of Sinclair’s Confectionery Department. (Is it bad that I kind of want to keep it for myself?)
To enter all you have to do is leave a comment below, email me, tweet me or leave me a Facebook comment to tell me – if you were doing your Christmas shopping at Sinclair’s, what would you buy? It can be something for yourself or for someone else.
I had some fun thinking of what Christmas presents I might buy at Sinclair’s for Sophie, Lil and the gang:
BILLY: Billy spends a lot of time in The Mystery of the Clockwork Sparrow scribbling in old exercise books with the stub of a pencil, so I think I’d treat him to a leather-bound notebook and a fountain pen. Of course, I’d also have to give him a detective story or two from the store’s Book Department.
SOPHIE: Sophie’s best frock gets well and truly ruined during Clockwork Sparrow, so I’d probably head to Ladies Fashions to find her an elegant new outfit to wear next time she goes to the theatre. But somehow I can’t help thinking that she might find a magnifying glass or a pocket knife a little more useful for her future adventures…
JOE: After his time living rough on the streets and hiding out in the Sinclair’s basement I feel Joe deserves some TLC, so his Christmas present would be a big cosy jumper from Gentlemen’s Outfitting, and maybe some woolly socks to make sure he’s toasty warm all winter.
LIL: The gang in general enjoy their food, but if there’s one person whose appetite is as big as her capacity for enthusiasm, it’s Lil! I’d get her a huge Christmas hamper stuffed with all kinds of tasty festive treats for her to share with the others over the holidays.
Enter by 5.00pm on Sunday 13 December for a chance to win – I’ll choose my favourite response to win the prize. The competition is open to the UK only (sorry!)
It was so difficult to choose a winner for the Clockwork Sparrow festive competition as we had so many fantastic entries. I loved reading about all the different things you would buy – from glamorous gowns to delicious treats from the Confectionery Department, and of course, lots of extravagant hats! Huge thanks to everyone who entered.
In the end the prize was awarded jointly to two young readers aged 7 and 10 who are also sisters, who chose to draw as well as illustrate their ideas – check out their winning entries below. Congratulations and I hope you enjoy your Sinclair’s Christmas goodies!
At lots of the events I’ve been doing this autumn, I’ve been talking about some of the real-life historical background to The Mystery of the Clockwork Sparrow. I thought it would be fun to share some of this here on the blog too.
If you’ve read the author’s note at the back of The Mystery of the Clockwork Sparrow, you’ll know that although Sinclair’s Department Store is fictional, it was partly inspired by the real history of London’s Edwardian department stores.
In the late 19th and early 20th century, department stores were still a new phenomenon. Before this time, shopping generally meant buying from local markets and small shops, which tended to sell only a limited range of goods. It wasn’t until the 18th century that shops became grander, with enticing shop-fronts to tempt customers inside.
Even then, ‘shopping’ as we know it today didn’t really exist. Most shops specialised in just one thing – the confectioner’s sold sweets, the baker’s sold bread, the bookshop sold books, and so on. Shopping was a straightforward transaction, with many shops even employing ‘floorwalkers’ whose job it was to actively prevent people from browsing around looking at merchandise without buying anything.
With the advent of the Industrial Revolution, things started to change. People had more money to spend, cities were growing, and affordable manufactured consumer goods became more readily available. Glamorous, elegant new ‘department stores’ began to open up, offering people an exciting and very modern new way to shop.
Lots of Edwardian shoppers
For the first time, customers were encouraged to wander around a range of different departments, all together in the same building, admiring a tantalising range of different goods to buy. Department stores had beautiful displays, gorgeous windows designed to catch the attention of passers-by, and even their own restaurants where customers could enjoy lunch or afternoon tea.
These were exciting places. In 1898, Harrods boasted the first escalator ever to be seen in a British shop – on the day it was launched, staff members stood at the top ready to dispense smelling salts and cognac to anyone who had been frightened by this new experience!
New advertising helped to spread the word about these glamorous new department stores. During the week that Selfridges opened, a total of 38 different advertisements designed by well-known graphic artists appeared on over a hundred pages of eighteen national newspapers, costing the equivalent of £2.35 million in today’s money.
Selfridges, of course, was one of the most famous of the Edwardian department stores – and was certainly the biggest influence on my fictional store, Sinclair’s, though I also took inspiration from other famous stores like Fortnum and Mason, Liberty’s, Harrods, and the now-defunct Whiteley’s.
Selfridges first opened on Oxford Street in 1909, and was the brainchild of Harry Gordon Selfridge. An American who had previously worked in department stores in New York, he had grand ambitions for his store, which he wanted to be the largest and most glamorous in London. As well as the usual departments, it boasted all kinds of other facilities, including a post-office, a library, and even a ‘quiet room’ where people could relax if shopping became too overwhelming! Rather than being just a shop, Selfridge thought of his department store as something more akin to a cultural centre, and it soon became a fashionable destination.
The story of Selfridges (and Selfridge himself) is a fascinating one, and of course has also inspired the recent ITV series Mr Selfridge. I didn’t know about the series when I first started working on The Mystery of the Clockwork Sparrow, though it was no surprise to me to discover that the story of the Edwardian department stores had grabbed others’ imaginations as well as my own! At first, I deliberately avoided watching so that I wouldn’t be influenced while I was writing, but I’ve since seen a few episodes and though it’s a very different story, the sets and costumes give you a great idea of what a department store like Sinclair’s might really have looked like:
At around the same time, the BBC also broadcast The Paradise, another series based on the rise of the department store – though this time set a little earlier, in the late 1800s. This series was loosely based on the novel Au Bonheur des Dames (The Ladies’ Paradise) by Émile Zola and again gives a good flavour of the early department stores:
I loved finding out all about the history of the department store when I was researching Clockwork Sparrow. I wanted to make sure that my own fictional store, Sinclair’s, would feel as real as possible to the reader, and I had a lot of fun adding in some of the true-life details and facts I discovered.
As well as reading about the late Victorian and Edwardian department stores, I was influenced by lots of other reading about shopping in general – such as the lovely scene in one of my favourite books, I Capture the Castle, where Cassandra and Rose visit a 1930s London department store, which I wrote about for the Waterstones blog here.
Of course I also had to visit some contemporary department stores too – I spent lots of time wandering around the likes of Liberty’s, Harrods and Fortnum’s – and of course, sampling the odd afternoon tea along the way!
Harrods afternoon tea
If you’re interested in finding out more about the history of the department store, here’s are a few good places to start:
Shopping, Seduction and Mr Selfridge by Lindy Woodhead
This is the book that inspired the Mr Selfridge TV series – an entertaining and very readable biography of Harry Gordon Selfridge, packed full of facts about Selfridges’ history.
Au Bonheur des Dames by Émile Zola
In this classic French novel, Zola captures the impact of the new grand magasins upon Paris in the 19th century
The Department Store by Claire Masset
This little book from the Shire Library series is a succinct summary of the history of the department store – from its earliest origins right through to the department stores of the present day.
The pictures in this post come via my trusty Edwardiana Pinterest board, where you can also find lots more pictures of Edwardian department stores.