I’m absolutely in love with the stunning and sumptuous cover for this thrilling Russian adventure for Sophie and Lil, which has once again been illustrated by the marvellous Karl James Mountford. Karl and designer Laura Bird always come up with such incredible artwork – I can’t wait to see the internal illustrations.
In this sequel to Peril in Paris, Sophie and Lil will be heading to Imperial Russia for a thrilling adventure, where they will soon discover that the glittering palaces and extraordinary entertainments of St Petersburg are hiding sinister secrets. Here’s a bit more about what you can expect from the new book:
With Sophie still missing in action after their explosive mission in Paris, Lil decides to take matters into her own hands. On a new mission for the Secret Service Bureau, can Lil find Sophie in misty, mysterious St Petersburg? Can they uncover the identity of their true enemy and can they trust anyone – even the Bureau? It’s time for Sophie and Lil to put their spy skills to the test.
If you’ve read Taylor & Rose Secret Agents: Peril in Paris, you’ll know that an air race plays a very important part in the story. The Grand Aerial Tour of Europe, which appears in the book, is fictional – but it’s inspired by some of the real-life air races which really did take place during the 1910s.
In this post as part of my Behind the Scenes series, I’m going to talk a little bit more about these air races, and why they were so important. In the 1910s aeroplanes were still a very new invention: although people had been experimenting with aviation for some time, it was only in 1903 that the Wright Brothers had achieved ‘sustained, controlled, powered flight’ – in other words, the first proper aeroplane flight.
In the years that followed, aviation rapidly became popular. France was one of the nations that quickly embraced the new technology, producing many young pilots known for their daring and vitesse (speed). In Germany, Prince Heinrich (the Kaiser’s brother) became the first Royal to take to the air – and in 1910 learned to fly an aeroplane himself. Aviation quickly gained popularity in America, and Japan also took a keen interest, sending army officers to France and Germany to train as pilots. (The character of Captain Nakamura in Peril in Paris is loosely based on the real-life Captain Yoshitoshi Tokugawa who went to France to learn to fly and then piloted the first ever flight in Japan, which took place in Tokyo in December 1910.)
Initially Britain was more cautious: rather than the government, it was actually newspaper magnate Lord Northcliffe who pointed out the particular importance of flight for Britain, declaring that ‘England is no longer an island’ after Louis Bleriot’s successful crossing of the Channel by plane (fun fact for fans of the Sinclair’s Mysteries -Bleriot’s plane was later exhibited at Selfridges department store so that people could come and see it for themselves, which I can well imagine happening at Sinclair’s!) With this in mind, it was Lord Northcliffe who initiated one of the most important British air-races – the Daily Mail Circuit of Britain – to boost the popularity of aviation in the UK.
By 1911, when Peril in Paris is set, air races had become very popular, offering bold young pilots the chance to show off their skills, test out their new planes – and win impressive prizes. Real-life examples that helped inspire my fictional Grand Aerial Tour of Europe include the 1911 Circuit of Europe Race, which covered a distance of almost 1,000 miles, and was sponsored by the French newspaper Le Journal. 500,000 spectators turning out to see the start of the Circuit of Europe Race.
Many of the pilots who took part in these races soon became famous, including the likes of Louis Bleriot, Hubert Latham, Eugene Lefebvre and Leon Delagrange. However, early aviation was tough: whilst 43 pilots took part in the Circuit of Europe Air Race, only nine of them managed to complete the whole course successfully. Three of them were killed in fatal accidents – early aviation was dangerous, and plane crashes and fires were relatively common. Air races could be dangerous for spectators too: during the Paris-to-Madrid Air Race which also took place in 1911, the French Minister of War, Henri Berteaux, was killed, and others were injured when an aircraft lost power and crashed into the crowd at the start of the race.
At around the same time that these air races were taking place, governments around the world were beginning to see the potential of aviation for military and intelligence use – as journalist Roberta Russell points out to Sophie in Peril in Paris. The Italians were the first to use planes for surveillance, in their war with Turkey in 1911. Just a few years later, when World War I broke out, aeroplanes would have a crucially important role to play.
If you’re interested in finding out more about aviation during this period, I’d recommend KM Peyton’s Flambards books for young adults, in particular The Edge of the Cloud. You might also be entertained by the 1965 film ‘Those Magnificent Men in their Flying Machines’, a comedy set in 1910 based around a fictional air-race from London to Paris. It seems very dated now, but it’s fun and intriguing to see one of the 1910s air races brought to life on screen!
The pictures in this post come via my Peril in Paris Pinterest board (click the image for the source) where you can also find lots more images that helped inspire the book.
It’s been a while since I’ve written one of my ‘Behind the Scenes’ blog posts, exploring the real-life historical background to my books, the Sinclair’s Mysteries and new series Taylor & Rose Secret Agents. However, today I thought I’d write a little bit about the Secret Service Bureau – the top-secret government spy organisation which appears in my latest book Taylor & Rose Secret Agents: Peril in Paris.
If you’ve read the ‘Author’s Note’ at the back of the book, you’ll already know that this organisation takes its inspiration from the real-life Secret Service Bureau, which really was set up secretly by the British government towards the end of 1909, to carry out intelligence work. Although it was initially small, the SSB soon grew, and was divided into two separate divisions – one which focused on counter-espionage at home in Britain, another gathering intelligence abroad. Today, we know those two divisions as ‘MI5’ and ‘MI6’.
My version of the SSB is very much fictional, but has some basis in real-life history. In Peril in Paris, we rejoin young detectives Sophie and Lil in 1911, and find them working for the newly-formed Secret Service Bureau as secret agents, helping to track down German spies. Early in its history, the real SSB actually did employ private detectives to carry out their work in this way – although I’m afraid that in all my research, I didn’t come across any real-life examples of young women detectives working for them!
The focus on routing out German spies is also based on real history. In the run-up to the First World War, there was growing tension between Britain and Germany. Suspicion abounded about a network of German spies working undercover in Britain, gathering secret information to pass back to the German government. Interestingly though, today there is some debate amongst historians about how established or successful this German ‘spy network’ really was. Some have suggested that the government officials who first set up the SSB may have been influenced by wild rumours circulating about spies: Lord Esher famously commented ‘spy catchers get espionage on the brain’. These rumours could have been stimulated by the writings of novelists such as William Le Queux, who wrote hugely popular novels such as The Invasion of 1910 and Spies of the Kaiser, which whipped people into a frenzy about the threat from Germany. (Other popular spy books from this period include the likes of The Riddle of the Sands and The Thirty-Nine Steps.)
In the same way, whilst he is also very much fictional, ‘C’, the boss of the SSB who appears in Peril in Parisowes a little something to the two directors of the real-life SSB – Vernon Kell (sometimes known as ‘K’) who headed up the domestic branch (later MI5) and Mansfield Cumming (known as ‘C’) who looked after foreign affairs (later MI6).
The two men were very different and sometimes clashed with each other. ‘K’ spoke many languages, and had served in the military in both Russia and China before returning to London to work for the War Office, before being chosen to head up the SSB while still only in his mid-30s. He was known to be quiet, tactful, diplomatic and charming – a strategic thinker, highly organised. ‘C’, by contrast, was an extrovert – cheerful and amusing, who considered intelligence work ‘capital sport’. He had several eccentricities, some of which I borrowed for my own fictional ‘C’, including that he always signed his name in green ink. (‘C’ was later to become a customary name for all later directors, coming to stand for ‘Chief’).
In my research into the real SSB, I also found out about some of the people who worked for them. These included William Melville (sometimes known as ‘M’) a former police detective and Superintendant of Scotland Yard’s Special Branch who had helped foil an assassination plot against Queen Victoria. He officially retired in 1903 but went on to secretly carry out intelligence work for the government, later becoming an important part of K’s department who focused on searching out German spies. He eventually even founded a ‘spy school’ in Whitehall to help train other secret agents. (One of my favourite facts about him is that he apparently befriended the illusionist Harry Houdini, who taught him to pick locks!) Other key figures included Sidney Reilly, the famous ‘Ace of Spies’ who worked undercover in Tsarist Russia, and was involved in so many dramatic incidents that many have speculated he was the original inspiration for the most famous fictional spy of all – James Bond.
What’s more, the fictional German spymaster Ziegler who is mentioned in Peril in Paris also has a real-life counterpart – Steinhauer, who was the head of the German intelligence service from 1901. He had spent a lot of time in America and spoke fluent English. Ironically he actually worked alongside Melville in the early 1900s to prevent an assassination of the Kaiser organised by Russian anarchists. He was responsible for placing German spies in Britain before World War I and is supposed to have recruited many of them himself, travelling to Britain under various secret identities, often in disguise.
There’s lots more that I could write about the real-life Secret Service Bureau – there are dozens of books about it, including both official and unofficial histories. Some that I read included MI5 in the Great War edited by Nigel West, Spooks: The Unofficial History of MI5 by Thomas Hennessey and Claire Thomas, The Defence of the Realm: The Authorised History of MI5 by Christopher Andrew and Spies of the Kaiser: Counter-Espionage before the First World War.
Ultimately, however, in Peril in Paris I had a lot of fun imagining my own version of the SSB, inspired partly by this research, but also by the traditions of the spy thriller. Because of course, no classic spy story would be complete without a visit to a mysterious head office, where the secret agent receives their instructions from the charismatic director – whether it’s ‘M’ in James Bond films, ‘Control’ in John Le Carré’s novels, or Alan Blunt and Mrs Jones who appear in Anthony Horowitz’s Alex Rider books.
Of course, that’s exactly what happens to Sophie at the beginning of Peril in Paris when she goes to the SSB to meet ‘C’ and be given an exciting new assignment – which will soon see her setting out to Paris on an undercover mission to investigate a mysterious murder …
Peril in Paris has already been out in the world for a whole month, and I’m only now getting round to writing about it! That’s because it’s been a super-busy few weeks – not only have I recently moved house, I’ve also been enjoying lots of fun celebrations to welcome the first book in the Taylor & Rose Secret Agents series.
Several exciting things happened in the run up to publication. First of all, with the help of Arcus Studios, publisher Egmont created this incredible animated trailer for the book using Karl’s illustrations, which perfectly evokes what the book is all about. (Make sure you’ve got your sound on – the music is a treat!)
As soon as the book hit shops at the beginning of August, I went out and about on a little tour of London to sign lots of copies, including visits to Waterstones branches at Finchley Road, Islington Green, Trafalgar Square, Piccadilly and Kings Road. I also made this ‘shelfie’ video for Waterstones in which I recommend some of my favourite children’s books which, like Peril in Paris, have female friendships firmly at their heart.
To celebrate the new book, I met up with my brilliant agent and editor for some delicious French treats at Maison Bertaux – magnifique!
Next, in what may have been one of my most unapologetically ‘extra’ book launch celebrations to date, I headed off to Paris for a celebratory day-trip with my friends Katie, Nina and Claire. We had a truly superbe day enjoying the Paris shops, strolling past the sights, and taking a boat trip along the Seine – as well as eating some tasty French food and taking about a million photos. What a treat – thanks guys, I honestly can’t think of a better way to welcome Peril in Paris into the world!
Next up was a trip to the Edinburgh International Book Festival, one of my very favourite book festivals and always a highlight of the year! I teamed up with Robin for an event as part of the festival Schools Programme, and then with Natasha Farrant for an event about thrilling adventures, also featuring her book The Children of Castle Rock. I got to read from Peril in Paris for the very first time; signed lots of books for the readers who came along; and Natasha and I even had a dog join us on stage – I think that’s definitely a first!
Another exciting happening at this year’s EIBF was getting to meet the brilliant Chelsea Clinton (see above). Chelsea was in Edinburgh to talk about her new children’s book She Persisted Around the World, and was kind enough to join us for a special recording of Down the Rabbit Hole, where she spoke to me and to her fellow guest Katherine Webber about her book, as well as her favourite children’s books. Have a listen here.
Finally, another amazing thing that happened was this – a Peril in Paris themed milkshake! I’m thrilled that SBlended have created the brilliantly-named ‘Moo La La’, inspired by the book – look out for them in their shops. They’re running a competition too, find out more here. (I certainly never could have imagined that one of my books would inspire its very own milkshake – and I can’t wait to try one!)
There have been lots of lovely responses to Peril in Paris already: if you’ve read it, do let me know what you think of Sophie and Lil’s latest adventure. If you haven’t read it yet, you can of course get a copy from Waterstones, The Hive or Amazon. It’s also currently available as part of a promotion in both Waterstones and WH Smith Travel stores, so do look out for it there!
And if you fancy finding out a bit more about the book then check out my Peril in Paris Pinterest board, and stay tuned for some more posts about the historical background, coming up shortly!
It’s that time of year again! September is here and the new term is almost upon us. I know not everyone feels the same way but I love this time of year: picking blackberries, the first crunchy autumn leaves, getting to wrap up in cosy jumpers… and of course buying new stationery for those ‘back to school’ vibes.
Of those of you who are actually going ‘back to school’ in the next week or two – teachers, you can now find a brand new masterclass for my books on Authorfy – Mystery & History with Katherine Woodfine.
The Peril in Paris masterclass is ideal for KS2 pupils who would enjoy reading about spies, mysteries, daring-do in 1900s Paris, an intrepid sausage dog, and lots of cake! There’s also a KS1 masterclass inspired by Rose’s Dress of Dreams, which we filmed in the gorgeous surroundings of the Victoria and Albert Museum as you can see above. Each masterclass includes videos, extracts and a detailed scheme of work. Find out more here.
There are also lots more free resources on my website that you can access here – including a 3 week lesson plan for The Clockwork Sparrow, posters and activity sheets to download for my books, and much more.
And if you’re interested in booking in a school visit for the new school year, you’re welcome to get in touch: my calendar is currently booked up until May 2019, but please do feel free to contact me here regarding events for the summer term onwards.